The Spiritual Social

Tag: sagittarius

  • Rebellion and Control: The Astrology of Famous Daughters

    Saint Mary Magdalene by Sofonisba Anguissola

    Seeing as the highly feminine and exalted transit of Jupiter in Cancer of this year, is providing the perfect background for such a topic, I would like to analyse in the following article some famous and difficult mother-daughter relationships from an astrological point of view. I have experienced such a relationship throughout my life and chances are that if you were drawn to the title, you may also be immersed in such a maternal bond (and consequently the maternal complex that comes with it).

    I think this article is also about feminine rebellion and about the astrological signs that point in someone’s birth-chart that their destiny is about becoming a rebel, even if only a gentle one at best. It is to some extent about those character traits that push someone to stand up against external forces that try to dim their natural light, their energy and their capacity to be who they feel they are meant to be, even when these forces come from inside your family unit and your bond to the mother.

    In astrology, all aspects connected to the Self and its capacity to express what it is, are contained within the Sun sign, the astrologically dominant planet under which we are born and which shows the seasonal proclivities of the part of year in which a person is born and metaphorically speaking, the kind of “weather” that a person continues to have throughout their life.

    As an example, for a Gemini (a person born at the end of May and beginning of June) their world revolves around communication and socializing since that period of the year shows Nature in full bloom, is abundant in fresh produce and as a result people organise celebrations, parties and weddings. While for a Sagittarius (describing someone born at the end of November and beginning of December) their solar light points them in the direction of growth during trying times, as Nature dies around the month of November to prepare for a renewal, and for developing a sense of adventure when faced with life’s darker side and the vicissitudes of surviving Winter.

    In addition, astrologers tend to associate the Sun’s solar light to masculine traits while the Moon’s energy in our chart shows our feminine potential; as such the Sun is considered to be the placeholder for the Father archetype while the Moon is the placeholder for the Mother archetype. Bearing that in mind, in this article I want to write about how a feminine Sun signs and their destiny (their North Node) could live under the shadow of someone else’s control and of the karmic masters who wield it in our lives, those first initial spiritual teachers who mould our capacity to intuitively understand our Sun sign and who demarcate how well we can express our inner light during our formative years. I am of course, talking about our mothers.

    What happens when someone’s solar energy (i.e. their vitality, capacity to grow, their personality, skills and energy levels) is frustrated by their bond with a mother figure? In the following, I will be looking into the charts of two famous women who suffered at the hands of their mothers but they somehow managed to transform that suffering into haunting literature and cautionary tales of the price of fame and entertainment.

    Rebellion and control are usually not words associated with ‘normal’ or ‘thriving’ mother-daughter relationships. This is why these word ends up labelling other types of mother-daughter arrangements, those barely ‘good enough’ forms of mothering which usually look ‘good’ on the outside and are experienced as ‘living hells’ on the inside. What would be the purposes of such relationships in our lives?

    In the summer of 2024, I became strangely obsessed with the biography of Shirley Jackson, an American author I discovered after watching the Netflix series ‘The Haunting of Hill House’, a series which even though it is a departure from Shirley’s original text, it was nonethelss brilliant in my opinion in its fantasy depiction of domestic & familial horror.

    I then started learning about Shirley’s life and work with the help of the channel Books and Cats on Youtube, which has plenty of videos on Shirley’s work and her legacy. I came to fnd out that domestic horror is the literary genre which Shirley spear-headed, and as a person who has had lifelong issues with emotional neglect and maternal control, her story and writing spoke so deeply to me, as if it woke up parts of my soul that lay dormant and needed some stirring healing. So I thought of composing this article after I finished reading “The Lottery and Other Stories“.

    Photo of author Shirley Jackson and of her natal chart, created with the help of http://www.astroseek.com

    At the same time as discovering Shirley’s work, I got drunk one night and called my mother. Somehow everything I had repressed in my relationship with her came spewing out of my mouth. Needless to say, I had an argument with her; this is something usual in our dynamic and it is hurtful each and every time, like putting salt on an open wound. My mother was hurt by her own mother so she ends up hurting me and thus we perpetuate mutual hatred on the maternal line.

    I resist having children for fear that I may unconsciously continue this dreaded cycle of pain. After our fight, I fell asleep crying. The next day I opened my eyes and they immediately fell upon one of the books in my bookshelf as the light from the Sun outside was making it stand out. I bought a book last Spring and realized I forgot to read it. This book was Jeanette McCurdie’s “I’m glad my mom died”. I picked it up and could not put it down, since it spoke volumes to my current state of despair in my ‘bond’ with my mother.

    Photo of actress Jeannette McCurdy and of her natal chart created with the help of http://www.astroseek.com

    Although, I have no prior experience of being a child star, I could emotionally identify with Jeannette’s experiences. And I felt weirdly understood at the same time. These are some of the contextual elements which brought me in contact with both women’s reflections on their experiences and I’m going to use an astrological perspective to interpret these experiences to see if there is anything in their natal charts that shows that their mothers had to teach them some tough karmic lessons in order to make them into the individuals that they reluctantly became.

    I will be drawing in my analysis from Jan Spiller seminal book “Astrology for the soul”. I hope this post will appeal to those of you who love the two celebrities but also may have the same astrological markers discussed. We know that Shirley had a co-dependant relationship to emotionally abusive mother from the letters she wrote to her but never sent. You can find out more about Shirley’s life from this video or by dividing deep into her Wiki entry. For Jeannette we obviously know a lot about her relationship to her mom from her best-selling memoir and some revealing interviews she offered the public after her mother’s death. One of the main things that attracted me to writing an article about these two women were the fact that they had problematic mothers and that they also shared a South Node in Cancer / North Node in Capricorn destiny.

    When analyzing the destiny of a NN in Cap it is important to check the sign, house & aspects made by the person’s natal Saturn (as Saturn is the planet presiding over their NN since it is the traditional ruler of Capricorn). So we see that Shirley (a Sagittarius Sun and Ascendant with a Moon in Leo) has a Saturn in Cancer in the 8th house, while Jeanette (a Cancer Sun with a Moon conjunct Mars in Taurus) has a Saturn in Aquarius in the 7th house; these are too highly relational houses, denoting problems and blocks on the path of loving and being loved, trusting and being able to create intimacy. Saturn, astrology’s great malefic, parked in these houses for life also denotes low-quality relatives and issues of money and painful duty being deeply intermingled with parental care.

    Although the gals have the same destiny as their nodes are similar, they are ‘living’ out this destiny in specific ways as shown by their dissimilar Saturnian placements: for Shirley it is emotional & maternal karma (Saturn in Cancer) while for Jeamette it is group-based & self-awareness karma (Saturn in Aquarius).

    Their Saturnian placements are furthermore, amped up by their lunar nodes, those parts of the natal chart that describe the growth potential and destiny of someone’s life. Here is what Jan Spiller has to say about NN in Capricorn/SN in Cancer individuals:

    “Capricorn North Node people need to find a focus beyond their scattered emotional needs and those of people around them. When they bring themselves into alignment with a higher principle or spiriual belief , they feel protected and nurtured. These people excel at being “the boss” (…) To achieve success in any area, these folks need to be “in charge” of their own piece of the puzzle. When things don’t go as they want, they overreact emotionally, subconsciously hoping that others will see how upset they are and change their behavior. But other people perceive this as a means of controlling and are unwilling to modify their behavior just to appease these natives (…) These folks are extremely sensitive to their own emotions and those of others.” – p. 400-403

    If we take a brief look at their astrological placements we can see that Shirley is a Sun in Sagittarius with a Moon in Leo and a Sagittarius Ascendant; not only that but she has a whooping 8 planets and points in her chart in Fire signs! That is a considerable amount of passion and lust for life that had to be kept under wraps due to the presence of a watery and maternal Pluto in Cancer, the marker which shows that her destiny (South node in Cancer) was bound to her relationship with a dominant mother figure who worked on her emotionally (Pluto in Cancer).

    On the other hand Jennette is a Sun in Cancer with a Moon conjunct Mars in Taurus and an undetermined Ascendant. She is a member of the so-called Millenial generation, being born with a Pluto in Scorpio. What I found interesting, and what binds the destinies of these two women together is not only the fact that their power lies within their emotional healing as both of their Pluto placements are in Water signs but also the fact that they both have a South Node in Cancer & North Node in Capricorn – the quintessential marker of a person who is meant to gradually and irrevocably separate from their mother figure and find their own financial success by overcoming hardships, limits and the many temptations of their own basic instincts.

    I know it’s considered childish or a sign of having a weak character for blaming your parents, and especially your life-giving mother for all the problems in your life, and I agree. Life as an adult will show you many times that in order to move forward with it, you’ll necessarily have to get ‘childish’ and explore your past, your roots and pluck what is rotten in order to prepare the ground for fresh growth. It’s an unnerving and often frightening psychological process of coming to terms with parts of yourself that are exactly like what you are criticising in your mother (you know that old saying that every daughter inevitably ends up turning into her mother, and this clichee begins to feel eerily familiar once you reach your late 30s).

    Again, I want to let Jan Spiller speak on behalf on this nodal placement’s complicated family dynamics:

    “Capricorn North Node people have a hard time letting go. They are very sentimental and they don’t want to hurt anyone’s feelings. When they start to leave a situation, even if its clearly not working, they get depressed – so they tend to “hang in there” until their realize deep down that there’s no hope. They do all they can to make the relationship, the job, the situation work. When their survival is threatened they will leave; but they will be much better off letting go before the situation escalates to that point (…) Their whole world revolves around their family and they expect the dynamics to be reciprocal. But more nurturing from family members, usually isn’t forthcoming – it’s just not set up that way in this lifetime (…) Capricorn North Node people need to let others know what the rules and limits are, and then stick to them unflinchingly (…) These folks must learn to stand behind their word. Their commitment must be stronger than their fear of upsetting the other person.” – p. 406-409

    Of course, one thing to keep in mind is that we all know about Jeannette & Shirley because they managed to face their fears & succeeded to a large extent in growing into their NN in Capricorn. They are  more or less willingly fulfilling the “take charge” requirements of their destiny and this is how a Romanian astrologer like myself got to hear of them and their lives: through their work & their stoic and scary reflections on family life. Think about having this kind of reach & influence in your own life, if you happen to have this nodal placement and are struggling to embody it. Decide today to set goals & take charge & see where the soulful journey takes you.

    And don’t worry for you shall be blessed. As the SN in Cancer/NN in Capricorn individual has to integrate their mother’s wounded energy to become the father they wish they had themselves. One exercise I like to do to integrate this maternal/paternal healing energy is to pray not only “In the name of the Father, the Son and the Holy Ghost”, but also “In the name of the Mother, the Daughter and the Holy Body”. Amen.

    With universal love,

    Lexi

  • The Vital Spark: The Passion of Moon in Aries

    Movie still of Rebecca Hall as Margaret from Resurrection (2022)

    I think by now it’s obvious from the content of my articles, that I have a soft spot for intense individuals who border on the insane. I’m fascinated to see how people cope with duress, with the challenges life throws at them, and most often the pressures that they place upon themselves. I think this is why I have always been attracted to psychotherapy and I’m actively involved not only in my own healing but in that of those who I am fortunate enough to cross paths with.

    In 2025, I randomly saw a large number of movies which involved dark, intense and rather disturbing topics. I think I was drawn to them because it was a way to safely and creatively experience my own private wrestling match with some dark and heavy emotions. It’s as if what I was feeling inside was spilling over into a warped, emotional reality, enhanced in its dream-like quality by my viewing of so many movies. I blame the transits of Saturn and Neptune for putting me in this state, and while I understand that there is an underlying logic to this sullen cosmic energy, I still cannot bring myself to enjoy the process. Around May of this year, when dad died, I started sleeping during the day and getting up around evening time to then sit all night and watch movies, read, cry and pray.

    I lost so much this year. Despite my resistance, 2025 vacuumed me of pleasure, joy, hope and faith. I felt in equal parts, shame, guilt, intense anxiety and despair. Some days I struggled to get up and when I did, I was struck by how pointless doing anything was. I often didn’t know what to do but to put on a movie with my projector, curl up in a foetus position, sip cold, black coffee and see the stories of people whose fates are worse than mine.

    During a couple of such sedated days, I got a chance to watch two rather niche but equally powerful movies. I saw Resurrection (2022) with Rebecca Hall directed by Andrew Semans, and Antiviral (2012) with Caleb Landry Jones directed by Brandon Cronenberg. I personally felt like I couldn’t shake these movies off of me, long after I finished watching them. The first movie made me weep so hard as the credits rolled in, and the second was more of a mindfuck that made me press replay, just so I could understand what I had just watched. One thing I knew for sure was that the impact of the stories I just saw was exactly what I needed: a cure for getting out of my life and my wounded Self; a fascination for trying to understand two fictional characters with fucked up fates. I felt suddenly inspired…

    Both movies display difficult subjects. In Resurrection, an abusive ex returns to torment a woman who just managed to build a better life for herself, but for most of the movie you find yourself doubting her sanity rather than believing that the villain’s comeback is doing any actual harm. In ‘Antiviral’, an employee working for a high-tech company is obsessed with a celebrity to such an extent that he injects her diseases into his body just to feel close to her.

    The movie posters for the two films I discuss in the article

    Antiviral is the debut feature of Brandon Cronenberg, the son of famously weird Canadian director, David Cronenberg (who created Existenz, The Fly, Dead Ringers, Crash etc.) Compared to his father’s work, I find Brandon’s movies to be unique and mesmerising, but even more ruthless and clinical than David’s movies are. if you are to consider Infinity Pool and what a distorted ride that movie was. I guess it’s just the astrological difference of their solar imaginarium, seeing as David is a Sun in Pisces and Brandon is a Sun in Capricorn.

    Coming back to Antiviral, I have to say that I really liked the idea which was a direct critique of our obsession with celebrities, amplified as the story was by the excellent acting. Even if the movie was engrossing, certain gory scenes could’ve been better polished if not altogether scrapped out; also, the movie did lack a certain empathy and emotionality. On the other hand, Resurrection was so tightly controlled and filmed that it made you feel slightly claustrophobic, thereby matching the viewer’s complicity with Margaret’s own palpitating and overwhelming emotions. I think I’m saying that this latter performance made me feel more, while the first experience was intellectually interesting but too clinically delivered.

    Superficially speaking, I think that what mesmerised me so much about both of these performances is the fact that we are looking at two flawed but also gorgeous people who were filmed with such a dedication that it felt their connection with the audience almost became tangible (for example, at a certain point I am pretty sure I was more familiar with Rebecca’s snot and sweat and Caleb’s bloody gushings more than with my own bodily fluids).

    Movie still of Caleb Landry Jones as Syd March from Antiviral (2012)

    Antiviral doesn’t pack an emotional punch like Resurrection does, a movie at the end of which I felt shattered seeing how simultaneously soulfully free and yet physically condemned Rebecca Hall’s character, Margaret, was. In Resurrection the psychological unravelling she experiences as a result of years of cruelty and gaslighting was masterfully done. The entire movie rests heavily on Rebecca’s acting chops and mad presence, at least up until the point where she shares a couple of scenes with Philip Roth and you feel your blood curdling in your veins as you witness their back and forth and find out what traumatized her this much that she is losing control at the mere sight of this small and insignificant man.

    Since these were two tough viewing experiences, demanding a lot from their audiences – even if the acting was so unhinged it was close to perfection – I was vibrating with curiosity to look into the natal charts of both Rebecca and Caleb and see if there were certain energies they disposed of which made them gravitate to these stories. You may be aware that we tend to play out the inherent astrological energies we contain inside, through the work that we do. Actors and performers in general do this in a very visible and public way, which provides countless study cases for interested astrologers to explore, seeing as the world of film – or the land of Neptune – is a giant projection screen for what lies within.

    Let’s first look at Rebecca’s chart. Born on May 3rd 1982 (age 43 years) in London, UK, Rebecca is a Sun in Taurus and a Moon in Aries. You can see her birth-chart below:

    Birth-chart of Rebecca Hall taken from https://www.astro-seek.com/birth-chart/rebecca-hall-horoscope

    Her Moon is conjunct Venus in her fall in Aries, her Taurean Sun is conjunct the Wounded Healer asteroid, Chiron, while her destiny points are a South Node in Capricorn (her comfort zone) and a North Node in Cancer (her growth area). With a witty and domicile placement of Mercury in Gemini and an almost perfect conjunction between her natal Neptune and Lilith (the Wild Feminine asteroid) in freedom-loving Sagittarius, this is a woman who can think for herself and someone who gains her sense of freedom in life through martyrdom, escapism and acting. Although her fierce core brings a lot of determination and grit to the table, while her Saturnian comfort zone makes her a natural stoic and professional, what really gets her to gravitate towards harrowing tales and emotionally-intense roles is her natal Jupiter in Scorpio and that North Node in Cancer, placements which tell me she just finds so much joy and pleasure from bringing to life twisted stories and exploring deep emotions.

    Catharsis, rebirths and life-and-death experiences are her happy place. In addition to this, with a stellium of planets in the beautiful, relationship-prone and justice-driven sign of Libra, involving Saturn, Mars and Pluto she is a force to reckon with, both on screen and outside of it. As a sidenote, her husband is a fellow actor: Morgan Spector, a Sun in Libra man whose solar energy touches upon Rebecca’s stellium in Libra, letting me know that their relationship is anything but easy but it can also be quite hot and stubborn in its longevity and perseverance.

    Now, let’s explore Caleb’s chart. Born on December 7th 1989 (age 35 years) in Garland (TX) in the US, Caleb is a Sagittarius Sun with a Moon in Aries, as you can see below:

    Birth-chart of Caleb Landry Jones taken from https://www.astro-seek.com/birth-chart/caleb-landry-jones-horoscope

    Caleb was born with a Jupiter conjunct Chiron in Cancer (a marker for painful success or fame that wounds the soul), a South Node in Leo and a North Node in Aquarius, and what is perhaps the darkest and most fascinating part of his chart comprising of a close conjunction between Mars and Pluto in Scorpio (further enhanced by a nearby Lilith) and a stellium in grounded and restrained Capricorn. Having just one of the Saturnian or Plutonic energies can severely weigh down and intensify your chart, but Caleb has them both! His Capricorn stellium includes the planets Venus, Saturn, Neptune, Uranus and Mercury. With Saturn almost perfectly conjunct his Neptune in the sign of Capricorn, he is an almost walking-and-talking embodiment of the collective energies we are at the mercy of in 2025, a year which is marred by the conjunction between these two giants of our solar system and the ensuing chaos that they are creating in our lives.

    Although Caleb’s Saturn is domicile – which means that it functions better than the current Saturn in Pisces transit – and some would argue that his Venus is not conjunct his Saturn because it is so far apart by degree, but being in the same sign makes the planet function in a similar way. We see here the roots of intense emotional deprivation and a need to mask it with toughness, rules, rigidity and calculation – similar traits he displays so well in his character, Syd March from Antiviral. His energy is further darkened by the stealth ruthlesness and volcanic desires cloaked within the Mars-Pluto conjunction in Scorpio. No wonder that more recently, he starred in Dracula: A love tale (a dissapointing and unwatchable adaptation, in my view).

    One thing that stands out is that both Caleb and Rebecca share in common a Moon in Aries placement. Aries, being the first sign of the zodiac is usually associated with new life, vitality, lifeblood and the forceful rebirth of Nature after the dead of winter. When Aries energy exists in the Moon position of a native, this primal fire energy works at a deeply unconscious level, and it is somehow softened but also even more subtly powerful as it pervades a person’s complete aura and sense of being, especially when they rest and relax. Here is how astrologer Donna Cunningham describes this lunar position in her book “Moon Signs: The Key to Your Inner Life”:

    Aries is the best Moon sign, at least according to those who have it. They have to be the best at nearly everything they do – otherwise it ruins their whole day. They’re not always aware of this instinctive competitiveness, for the Moon’s traits are often unconscious. Nonetheless, Aries represents the urge to be out in front of the pack, so many Aries Moon natives display outstanding leadership and pioneering abilities. Active and vital, they’re easily bored by routine and want to be busy all the time.

    — p. 142

    It’s fascinating that these are not the only two creepy roles that Caleb and Rebecca decided to take on, since I still have on my watchlist The Listeners and Nitram; the first movie is about a woman hearing strange noises no one else can hear and the latter about a man who committed a massacre in the 90s, a script based on a true story. I also need to say that I loved Rebecca in the Night House, but I am saving my thoughts on that movie for an upcoming post on Pluto and 4th house matters.

    The crux of this article is basically just me saying that as a depressed Sun in Pisces woman who struggled to get out of bed and continue to live this year, getting in touch with the work of two Moon in Aries performers who literally electrified the screen with their presence and passion for their craft, woke me up back up to life.

    So, if you are doubting your energy and your work, please don’t. The way you are and the effort and passion you put into your craft and into your work can be so important to someone out there, in ways you may not even be aware. Inspiring a resurrection, passion can literally bring people back up to life, as it tends to be highly infectious… and against this type of infection, I don’t think we need any antivirals.

    With universal love,

    Lexi