The Spiritual Social

Tag: movie

  • Pluto Conjunct the Imum Coeli: Still Waters Run Deep

    Movie still of Jennifer Connelly in “Dark Water”. Image taken from: https://flipscreened.com/2021/02/23/how-dark-water-2005-delivers-whats-lacking-in-relic-2020/

    “ The individual is driven by his personal crises into deep waters which he would usually never have entered if left to his own free will.  The old idealised image of the Ego has to go, and its place is shaken by a perilous insight into the ambiguity and many-sidedness of one’s own nature.” – p.79, E. Neumann, Depth Psychology

    “And it’s inside myself who I must create, someone who will understand” Clarice Lispector, The Passion According to G.H.

    Symbology of the IC/Nadir and Definition

    When Pluto, the planet of Rebirth and Intensity, reaches the Nadir (also known as the Imum Coeli or the root portion of a birth-chart) it begins a soulful and emotional transformation that has the potential to change the relationship of an individual to their environment. Individuals experiencing this transit are becoming increasingly aware that surrounding reality seems to be shaped by what they feel and how much they feel it.

    The Imum Coeli, translated from Latin, literally means ‘the bottom of the sky’. You may encounter some astrologers refer to the IC as the Nadir, another obscure term defined by the Oxford Dictionary as: a) (in astronomy) the point on the celestial sphere directly below an observer; b) the lowest or most unsuccessful point in a situation. In a 2014 article on the reputable website astro.com, Polly Wallace describes the IC as poetry in motion and in the following way: “Definitions of Imum Coeli include the lowest heaven and a literal translation as the undersky. Such evocative phrases conjure up a sense of the IC as a territory in its own right (…) As the undersky, the IC is always hidden. It stands like the portal into a mysterious zone. The realm of the lowest heaven is vast; it encompasses all our past(s), all the detail of our origins and our roots – and all our secrets. It is another world, an inner world, experienced on a level as profound as the deepest darkness of night-time and of winter. Like the earth below our feet, this realm is the fecund darkness where seeds germinate, where roots develop intricate and enduring networks.”

    I guess you can imagine what darkness is unleashed in the life of an individual when the farthest and most intensely contested planet of our solar system meets with the most mysterious and hidden point of the chart. But this darkness is unseen to others, it is private and known only to the person affected. Contrary to other places in the natal chart, the 4th house describes interiors of many different kinds, and what could be more interior to a person than their psychology, their memory and their soul. I am personally becoming more reclusive since this transit has begun. I feel the need to sleep during the day and stay active at night. The soul is awake at night and I feel its power so strongly at the moment. I am so driven to read, write, watch movies and draw – I do these things to understand my drivers and patterns, so I can remake them. I do these things because I love them and they make sense to me. Reality and daily living seems harsh and belligerent, devoid of meaning and I push myself to be in my own ‘bubble’ by wearing noise cancelling headphones. But more on my personal experience with this transit in the middle portion of this article. Let’s get back to the traits of Pluto’s movement conjunct the IC and inevitably on the cusp of the 4th astrological house.

    Unlike Venus, Pluto has no delicate finesse. It acts like a sledgehammer, especially in the debut of a transit, the first months up to a year when it switches signs. The theme of its transit is brought up suddenly – like a punch in the stomach – all of the emotions that have been repressed, overwhelming the psyche of the affected person with memories, patterns, unresolved wounds and chaotic emotions are suddenly out on the table. It takes the next decade to work through them, and as the work is performed a deep, personal transformation occurs. Then at the middle point of a Pluto transit, the rebuilding begins and slowly what was once dark and hopeless turns into light and passionate love. Throughout the entire duration of that Pluto transit, the individual will have to do the deep psychological work of organizing their messy psychic content, discarding what is now dead and useless and continuing to nourish what remains vital and alive inside of them.

    If one can deal with these emotions and work at understanding them, then their immediate reality will begin to mirror their hard-working inner world and a state of attuned harmony is reached after some time. However, if one allows themselves to be drawn into a whirlwind of emotions without comprehending them, if one begins to live more intensely in the past than in the present, becoming complacent in the struggle with the forces of the unconscious, then there is potential here for one’s worst nightmares to materialise and for a mental health condition to completely take over one’s life.

    Either way emotional transformation and confrontations with core, wounded aspects of our largely unconscious Self are necessary for personal growth. Most importantly, the main theme of any transit to the IC is reflecting upon or establishing a sense of personal safety in the world again.

    The sign or constellation that Pluto travels through will also determine the way in which emotions and past memories are unleashed and how the individual will work at integrating them. As this transit happens it will also end up affecting the home, the immediate and private environment of an individual. For most people and in most charts, the IC lies in the 4th house, the house ruled by the Moon and the astrological sign of the celestial Crab, which symbolizes the protective shelter in which we regroup our forces.

    What Others are Saying About this Transit

    To prepare for this article, I read extensively whatever I could find on the topic. First of all, I turned to Steven Forrest’s seminal text “The Book of Pluto” and found this beautiful and psychological interpretation of the meaning of the 4th house:

    “the fourth house is the “House of the Home”. In most modern astrological texts, it is interpreted in more psychological terms, as the house of the inner self, the feelings, one’s deepest archetypal roots (…) Every human who has ever lived possesses a fourth house. Translated, we all to some degree have a need for ‘family’ – a word we must use broadly to mean a set of unquestionably secure social relationships. Loyalty and lifetime commitment are the critical notions here, not blood kinship. Depth, often unspoken depth, may possibly develop in these bonds, but it is less central. Roots, a safe haven, a place to let one’s hair down – these are the crucial concepts (…) To form clan and hearth with other human beings is the ultimate act of trust. Due to your wound, you may turn away from it, taking refuge in your own self-sufficiency (…) “If I really opened up, they’d be too shocked to handle it” – that’s often the belief at the roots of this particular navigational error. Even more fundamentally “There’s something horrible and dirty inside of me” (…) Your navigational error, if you succumb to it, would be to live the life of a ghost, with your fire, intensity, and vision removed from your biographical life while you went through the motions of existence. And, regardless of outward appearances, at the psychological level you would live the life of a heartless, homeless person.

    – p. 79-83

    Some people describe this Pluto-IC transit as the midnight of the Soul. As Lynn Hayes writes: “It shows the psychological legacy from our parents and ancestors that submerges in the unconscious until activated, usually by transit of a planet to that point. This is the point at which we enter the underworld of our own internal psyche, turning inward to meet the essence of who we are in this lifetime.” The Raw Astrologer describes this transit in such a perfect way as Pluto invading your personal space and beginning to chaotically and disturbingly recreate your family life, your home and your sense of security.

    This placement can have a beautiful side-effect and that is coming in touch with the Plutonian imagination which can be vast, intense and mystery-increasing. As Anne Whitaker describes in her account of being born with such a placement, that in her childhood: “My ‘real’ life – eating, sleeping, going to school – was incidental to my inner life which was full of what I felt were the really interesting questions: why are we alive, where do we go after death, do we live on several planes of existence at once, what is happening in other galaxies”. In addition, June from Saturn & Honey writes that this type of Pluto transit is a family curse-breaker: “4th house Pluto means staring the truth of one’s early life or longer-term family history in the eye and choosing not to continue the pattern, committing to change. Let the ways of the past end with you.”

    Over at Little Golden Age blog, and in a short post which contains a good amount of personal experiences with this transit, actuallyjessica writes on surviving Pluto: “I quite literally hope that I survive. I realize that many people don’t ever experience this kind of astrology, so I’m trying to extract the lessons, tear down the old bullshit, transform my powerlessness into wisdom and turn my lump of coal into a shiny diamond. If you, like me, are deep in this Pluto business, I hope you find your way through the darkness to bright new days.”

    Pluto conjunct the IC (the bottom of the sky) means that Pluto is also in opposition to the Midheaven, as Peter Holm from Holm Astrology writes: “when the home and family are being affected in our lives and security wavers, it may be due to demands from the MC, which deals with one’s status, occupation and ambitions (…) The IC and MC, particularly in early life, depict incidents linked to the parents which in turn will affect the child. This parental influence on a child, shifts as we mature. The influence widens in such a way that we are no longer just influenced by the parents that dictate our lives, but we are also now affected by an extended version of the family and our place in the overall structures of life.”

    Finally, for a really comprehensive description of this astrological placement and transit, Astrology by Jo offers a description of the IC as being the one to set the feeling tone of our upbringing and the soul’s inheritance. These deep parts are what are illuminated and transformed by Pluto. One can find their root power under a Pluto conjunct the IC transit, but before the moment of intense breakthrogh comes the pressure-cooker build-up. Let me exemplify with a brief account of the last two years of my life (2024-2025), as Pluto gravitated between 29th degree of Capricorn and the 1st degree of Aquarius and encircled my IC.

    My Personal Experience

    Initially I felt invaded by this energy, and it felt like against my will the structures in my life which I had worked so hard to build, started moving and shifting in dangerous ways. I went from suffering constant auditory pain in my household, to waking up with the bleakest moods I’ve had in my life, to visiting my dad decaying on a hospital bed, to having shouting matches with my mother, and being threatened with violence by neighbours. The upsides of this energy, have been reshaping my career to do a training in Jungian analysis, expanding my social family by adopting two more cats from the street, and realising the meaning that alcohol had in my family’s life and bypassing ‘a need to drink’ by sublimating it into drawing and painting again.

    An image of my natal chart with the transits for November 2025, generated with the help of the free birtchart calculator from https://horoscopes.astro-seek.com/#birthchart

    In the final months of Pluto in Capricorn at 29 degrees, I began to obsess over anything related to the home, to protection and to securing the boundaries of my daily living experience. Just shy off my 36th birthday, I bought an apartment in March of 2023 with my lifetime’s savings. What had initially felt like a wish come true, soon turned into a nightmare. I came to realize that while my place was cozy and practical, it was surrounded by problematic individuals and part of an environment which I had considerably underestimated under the spell of my first-time buyer’s excitement. I am not a financially wealthy being, and actually the wound of poverty is the strongest marker in my personal chart (see that Saturn in the 2nd house placement).

    To me, owning a home, even if it was a small flat, was a very important aspect of breaking through ancestral patterns of women being denied the right to property or having money to buy their homes, and thus finding self-empowerment and safety. Dazed as I was by finally finding a place that I was able to afford in crowded and expensive Bucharest, I had not realized I was trying to sleep in a hornets’ nest. And there can be no true safety in such an environment.

    Across the road from my apartment a highway was being finalised and when I moved into the place in March, I had no idea that roadworks would last until the end of November of that year. I lived for months with loud drilling noises, made worse by the fact that the building next to mine also was being enveloped simultaneously as the highway – something damaging happened to my nervous system during that period, the repercussions of which I still have to live with. Over the summer of that year, the neighbourhood turned into hot mulch, and the air was toxic due to the dust in the air.

    Even with the windows closed, the surrounding noises were unquenchable, especially since I was hit with another issue: my next-door neighbour was prostituting herself to the workers in the neighbourhood and would place loud music on her subwoofer, every time they came to see her to drown out her moans. To make matters worse, often these men would knock on my door, as the doors to the flats were so close to each other.

    As summer burned outside, the inside of the building was littered with garbage and we lacked an Intercom, so strangers were freely entering the building to get drunk or high on the staircases. One night I got woken up by the sound of a man snoring loudly as he had fallen drunkenly asleep near my door. And to top it all off, one of my neighbours from two doors down across from mine had frequent psychotic breakdowns in which he would dress as a woman and threaten to jump out the garbage chute or paint the hallways with crayon and other bodily fluids.

    Whenever I would leave my home I was equipped with a pocket knife, pepper spray and ready to record any interaction coming my way. I felt like walking through metaphorical ‘trenches’ and distracted my attention by making my indoors look cozy and warm and by taking care of the neighbourhood’s stray cats. By taking care of the vulnerable I was also and indirectly sending out a cry for help: ‘Would someone take care of my vulnerable Self?‘ It took me a while to understand that this elusive someone had to also be me.

    All these interferences and frights made me crave safety in life like never before, but as the planet Saturn resides in my 2nd house, I am deprived of experiencing it in this lifetime, unless I put in hard work to obtain it. Interestingly, just when I thought I had figured out the deeper meaning of the 4th house in astrology, I began reading Wanda Sellar’s book ‘Introduction to Decumbiture‘ and was struck by how often she associated the 4th house with ‘the grave‘. This terrified me at the time, as I imagined my own sudden death, but in turns out that this death took someone else in my family, the parent I was attached to the most, my father. Most of us will have this Pluto to the IC transit happening somewhere in our charts and part of the reason I am writing this article is to help prepare some of you for what may come and how to read the energies that could emerge in your life, disturbing your peace, home life and emotional foundations.

    I eventually (and reluctantly) ended up selling my flat in February 2025. Even writing this sentence is sending me into a slight panic attack, which tells how I continue to be emotionally attached to this idea of a place as a container of my sense of safety. When in reality, these disruptive events that are causing me to move home so frequently are trying to help me cement the understanding that I am actually the home I am looking for, the home I idealise and crave to own or to build. It is inside of myself that this feeling of safety, of belonging in the world, that needs time and nurture to root and sprout, to grow and expand until I end up feeling safe as a state of being. The root of this feeling begins in my past and is reconstituted in the present through my body and my relationships to others, it is with these two aspects that I need to make peace, by relinquishing a sense of guilt, shame and fear and learning to trust more, to be gentler and to flow.

    After I sold the flat, I moved into a rather old-looking apartment, a place in desperate need of new furtnitue and renovation, with big windows and vast amounts of light. I was drawn to that exposing light and didn’t mind the old furniture because to be honest I was so destroyed at the thought of having sold my home that I’ve felt deep down inside that I somehow don’t deserve better. I wrongly believed I had failed at making a home. I sold what was so dear to me. I had given up. I accepted this weird rental with two-beds and linoleum flooring and a kitchen that was tiled in the same style like a sanatorium because I felt sick, frail and somehow self-punishing.

    The strangest thing is that the week that I moved into this intermediate home, this purgatory flat, my father died. Two months later a neighbour died. 4 months later, I realised my landlady was suffering from undiagnosed mental health issues that pushed her to cross my boundaries regularly & months later I moved out in a panicked state, right before Christmas after having an argument with her because she had begun following me. The same week I moved out, I also had sex for the first time after 4 years.

    When the Scorpio man with beautiful blue eyes, whom I had the spend the night with, asked me “Why did you wait so long?” I answered “Because I was waiting to have sex with someone I loved. But in the meantime, I guess I got pragmatic”. On some level it’s not healthy to put off sex for so long as an adult, and a part of me felt that if I had sex maybe my neurotic symptoms will cool off. And they did, temporarily at least.

    Thanatos and Eros, the death drive and the sex drive felt like two large psychological pillars that had marked my existence in the weird limbo-flat in which I stayed for most of 2025. When I moved in, I witnessed the death of my father. When I moved out, I had a night of passionate sex with a stranger. I had ultimately chosen life, and pleasure and sex, which prompted me into a rebirth of some kind. I guess the duality had to be activated inside of me in order to believe again that I am worth more and that I deserve better. I am now renting a one-bedroom apartment which no one knowns the address of and I can’t believe how much I am enjoying this little detail. It’s a place with a dark red wall, just one bed, a place that feels somehow more solid, exceedingly warm and protected, although it is also on the pricier side. I sleep all day and stay awake at night to work in perfect silence. I feel balanced, because somehow, I had managed to jump into a new reality, and had left some of the pain behind. I go to therapy sessions on a weekly basis, analyse my emotions and dreams in a diary and create as often I have energy. Although, I am not sure yet what I am now becoming, I feel somewhat released of the birthing pains and pushed on the path of learning to walk again.

    The Energy of this Transit as Shown in Films

    Because of my recent experiences, I resonated so strongly with a couple of movies which portrayed the psychological transformations of 4 women. Each at a different level of their becoming, the protagonists’ struggle in their homes, mirrored some of my own intense emotions. I also found it remarkably healing to look at stories driven by women, which placed the themes of motherhood, desire, safety, loss and betrayal at the core of their cathartic decisions. And maybe this could serve as some interesting recommendations to understand the deeper meaning of a Pluto in the 4th house transit or natal placement.

    In the following section, I will share my perspective on what the place of the home represented on an emotional and psychological level to the main characters in each of the movies I list below. Interpreting the symbolic meaning of a home is a good exercise in preparing for what is to come. However, understanding something may not inevitably protect you from it, but it will certainly help you feel like you are at least more aware of the wise implications of this energy, so that when it happens you are able to handle it and even – dare I say – enjoy it?

    Similarly, when someone is aware that they are going through for example, a Saturn return then it is easier to handle it on a mental level, as you understand that tests, limits and hardship are inevitable. I find it fascinating how the movies I am drawn towards, as this transit is unfolding, are centered around the theme of rebirth within the space of the home. These movies show me that when other women go through intense emotional experiences (whether blissful or terrifying) their homes change with them, and in some cases are even exorcised by them. It’s also interesting to note that almost all of the movies I have chosen to discuss have female protagonists and in all of them something either creepy or erotic tends to take place (these being core Plutonic themes). In my description of the following movies, I’ll figure-skate around any spoilers in case you haven’t seen these movies, so you may safely continue reading.

    1. Sliver (1993)

    Created in the final stages of the Pluto in Scorpio era, this movie features the magnetic Sharon Stone in such a vulnerable role that at the same time brings an electrifying edge, which only she can perform on screen. Her story begins with moving into a new condo in a weirdly shaped, futuristic building, reminiscent of the intimidating structure in High Rise. She has her reserves about this place (which she should’ve listened to) but is eventually convinced by the estate agent to give it a try. Little does she know that this will be a life-altering decision because not only will she become the fresh target of the building’s covert murderer, but also meet the man of her dreams. Again, the themes of death and sex, Eros and Thanatos are brought to life in this decision to move home.

    The movie finds its thrilling bits in the way it keeps you guessing whether her lover is potentially the killer or not, but what really makes the movie fascinating to watch is the state of being under constant surveillance and seeing how this pressure cooker builds to a quick life-affirming denouement. I have to say that the soundtrack kind of sucks though, taking away from the eerie atmosphere of the movie, but her chemistry with William Baldwin is sizzling. As a sidenote, both of them are Pisces Sun actors, and I think I could write a whole different article on William Baldwin’s penchant for starring in erotic thrillers with awesome Piscean co-stars (see Fair Game for another example).

    2. The Night House (2020)

    It’s clear by now that I’m a big Rebecca Hall fan, but this movie was surprisingly scary and also deeply emotional at the same time. I kind of sweated and cried with her, since the movie centres on a theme which unfortunately was something, I experienced as well in my life: romantic betrayal, then abandonment and the desperate search to understand the truth about the man you once loved. The really scary character in this movie, is this truth, which once brought to life, shatters the foundations of her sense of psychological security.

    3. Dark Water (2005)

    This rather flawed movie is at the same supremely atmospheric and carried for most of it by the ultra-talented Jennifer Connelly, who lights up the screen with her soulful performance. It’s also a supremely damp, soggy and wet film in which the environment is literally suffocated by leaks and spill overs, denoting the repressed emotions of the main protagonist, a single mother who in the wake of a divorce has to start life all over again together with her small daughter. She rents an apartment in a building in desperate need of refurbishment on Roosevelt Island in New York, finds a job and enrols her daughter in a new school. All seems to be rebuilding well, until her bedroom ceiling gets a strange leak that keeps becoming larger and larger with each passing day, and then her daughter befriends a girl who no longer exists. With its emphasis on loss, repressed emotions, ghosts, water, broken bonds, porous walls and the desperate seeking of safety in the figure of a mother, this movie holds such deep and obvious fourth house themes that it should be used as compulsory viewing material in astrology schools.

    4. The Woman in the Window (2021)

    A once stable child psychologist with a family of her own, becomes agoraphobic and obsessed with the aparent murder of her neighbour from across the street – I guess you see how these two things clash, and from the tension of not being physically able to leave her flat the excitement of the film develops as well as the horror. On the surface level this is the plot of a movie that holds no punches in delivering the most gruesome fighting scene I have ever witnessed between a teenager and an adult on a rainy rooftop. but I won’t say more so as not to spoil the plot for you all. You’ll notice early on that the movie draws heavy inspiration from two classic claustrophobic stories that also happen to take place in mythical apartments: Rear Window and Dark Passage, and coincidentially two of my all time favourite films.

    The place of living may not be a home for all, but it matters to us all as a vessel of psychological containment for our fears and worries, or what Jung called the ‘unum vas’, the alchemical vessel which holds matter and distils the soul, as we transform and individuate. The home as a shell, your personal safety coating against the harsh world and the perils of nature, or the home as a container of our psychological changes, the walls recording daily dramas, witnessing the unravelling of our private selves. In the home you are who you are, you rarely bring your Persona in and your Ego doesn’t seek the approval it normally seeks from other people’s public validation. So being ‘at home’ can allow the Self to emerge.

    I always thought that if people were to know my homebody, ‘pyjama Self’ they would probably find it very different than my academic Self. Last year, in 2025, I dared to show others, with the help of my work on the Internet, this fragile, pyjama Self. I didn’t get much validation and approval, but neither did I get offense and rejection. I felt left to inhabit a limbo area of my Self, much like the apartment I was inhabiting. But I did move in a whispered way from exposing this vulnerable Self, to taking it within and protecting it. This is why I feel safest now, in a state of being ‘draped up’, of not existing during the day, but rather meeting and making friends with my nocturnal Self, my night being. My spirit animal is the sensitive and misunderstood bat and I am comfortable with that image, because usually right before a drastic rebirth you are meant to walk inside the darkest of nights for a while.

    Nocturnal little animals
    You keep your mother up
    You watch the town shut down
    You watch the lights go off
    Shutters closing in the bars

    – Daughter, Wish I could cross the sea

    Homes can permit or block the development of us as beings, for example, if you look back at your childhood home (or lack thereof). Homes can also be places to hide what we don’t want others to see, or places within which we hide in order to control the environment around us, to spy on the world that hurt us so much that we can no longer participate in life, like the Woman in the Window portrays so well.

    Homes can be places within which desire plays out like in Sliver, birth may happen, diseases and death can occur, away from the prying eyes of strangers. We allow ourselves to be vunerable, soft, pliable in the home. Moreover, houses can be vessels to our memories, and haunted homes especially so, in that they can become a projection screen for parts of our unconscious mind that we have yet to come in contact with: those infamous skeletons in the closet, those darkened basements that house the unspeakable, those creaky floors, bedroom windows that won’t shut properly and those singing pipes, that threaten to burst when our emotions get the best of us but we bottle them up anyway, like its shown in The Night House and Dark Water.

    What is left ‘un-homed’ is equally important to what the home represents. The space that is left when we outgrow a place and silently move on in life, leaves an energetic imprint. We leave traces of ourselves everywhere we have been and homes are the containers of these past, previous, ghostly selves, that we can no longer fit into. It’s a different way to interpret the sense of ‘horror vacui’ , which appears so frequently around abandoned homes and derelict places. This is why revisiting a location can feel so distabilising or why entering in a new place can also overwhelm us, because we come into contact with what has lived here in the absence, much like Steven Soderbergh shows in his haunting film “Presence”(2024).

    And absoring that absence, welcoming the past self into the present, private reality we dispose of, can help us to create that elusive and transient sense of being ‘at home’, like it is so tenderly portrayed in a movie that managed to leave me in cathartic tears, as it deals with healing a father-daughter relationship through art, the poignant Sentimental Value (2025). Please go watch it, it will leave you loving.

    In conclusion, I guess it helps to welcome the past, no matter how painful it has been, and to resist running away from it, as it will show you the way forward in life when you are going through a period of being ‘stuck’.

    Ultimately, I understood that to feel safe in the world, no matter the location or place, is to feel safe embracing that haunted basement, those secret skeletons in the closet and that scary attic that have always been part of me. Like the goddess Hekate, I have to find a way to carry a torch even in the darkest parts of my Underworld, those places I didn’t dare visit while I was young because I was unprepared to take on the burdens of Eros and Thanatos, but that now as an adult are asking me to integrate them with courage and honesty into all aspects of the experience of being alive.

    The spiritual goal toward which the whole nature of man strives is to rescue the light of consciousness…it is the sea to which all rivers went their way.

    – Carl Jung, Collected Works 8

    With universal love,

    Lexi

  • The Vital Spark: The Passion of Moon in Aries

    Movie still of Rebecca Hall as Margaret from Resurrection (2022)

    I think by now it’s obvious from the content of my articles, that I have a soft spot for intense individuals who border on the insane. I’m fascinated to see how people cope with duress, with the challenges life throws at them, and most often the pressures that they place upon themselves. I think this is why I have always been attracted to psychotherapy and I’m actively involved not only in my own healing but in that of those who I am fortunate enough to cross paths with.

    In 2025, I randomly saw a large number of movies which involved dark, intense and rather disturbing topics. I think I was drawn to them because it was a way to safely and creatively experience my own private wrestling match with some dark and heavy emotions. It’s as if what I was feeling inside was spilling over into a warped, emotional reality, enhanced in its dream-like quality by my viewing of so many movies. I blame the transits of Saturn and Neptune for putting me in this state, and while I understand that there is an underlying logic to this sullen cosmic energy, I still cannot bring myself to enjoy the process. Around May of this year, when dad died, I started sleeping during the day and getting up around evening time to then sit all night and watch movies, read, cry and pray.

    I lost so much this year. Despite my resistance, 2025 vacuumed me of pleasure, joy, hope and faith. I felt in equal parts, shame, guilt, intense anxiety and despair. Some days I struggled to get up and when I did, I was struck by how pointless doing anything was. I often didn’t know what to do but to put on a movie with my projector, curl up in a foetus position, sip cold, black coffee and see the stories of people whose fates are worse than mine.

    During a couple of such sedated days, I got a chance to watch two rather niche but equally powerful movies. I saw Resurrection (2022) with Rebecca Hall directed by Andrew Semans, and Antiviral (2012) with Caleb Landry Jones directed by Brandon Cronenberg. I personally felt like I couldn’t shake these movies off of me, long after I finished watching them. The first movie made me weep so hard as the credits rolled in, and the second was more of a mindfuck that made me press replay, just so I could understand what I had just watched. One thing I knew for sure was that the impact of the stories I just saw was exactly what I needed: a cure for getting out of my life and my wounded Self; a fascination for trying to understand two fictional characters with fucked up fates. I felt suddenly inspired…

    Both movies display difficult subjects. In Resurrection, an abusive ex returns to torment a woman who just managed to build a better life for herself, but for most of the movie you find yourself doubting her sanity rather than believing that the villain’s comeback is doing any actual harm. In ‘Antiviral’, an employee working for a high-tech company is obsessed with a celebrity to such an extent that he injects her diseases into his body just to feel close to her.

    The movie posters for the two films I discuss in the article

    Antiviral is the debut feature of Brandon Cronenberg, the son of famously weird Canadian director, David Cronenberg (who created Existenz, The Fly, Dead Ringers, Crash etc.) Compared to his father’s work, I find Brandon’s movies to be unique and mesmerising, but even more ruthless and clinical than David’s movies are. if you are to consider Infinity Pool and what a distorted ride that movie was. I guess it’s just the astrological difference of their solar imaginarium, seeing as David is a Sun in Pisces and Brandon is a Sun in Capricorn.

    Coming back to Antiviral, I have to say that I really liked the idea which was a direct critique of our obsession with celebrities, amplified as the story was by the excellent acting. Even if the movie was engrossing, certain gory scenes could’ve been better polished if not altogether scrapped out; also, the movie did lack a certain empathy and emotionality. On the other hand, Resurrection was so tightly controlled and filmed that it made you feel slightly claustrophobic, thereby matching the viewer’s complicity with Margaret’s own palpitating and overwhelming emotions. I think I’m saying that this latter performance made me feel more, while the first experience was intellectually interesting but too clinically delivered.

    Superficially speaking, I think that what mesmerised me so much about both of these performances is the fact that we are looking at two flawed but also gorgeous people who were filmed with such a dedication that it felt their connection with the audience almost became tangible (for example, at a certain point I am pretty sure I was more familiar with Rebecca’s snot and sweat and Caleb’s bloody gushings more than with my own bodily fluids).

    Movie still of Caleb Landry Jones as Syd March from Antiviral (2012)

    Antiviral doesn’t pack an emotional punch like Resurrection does, a movie at the end of which I felt shattered seeing how simultaneously soulfully free and yet physically condemned Rebecca Hall’s character, Margaret, was. In Resurrection the psychological unravelling she experiences as a result of years of cruelty and gaslighting was masterfully done. The entire movie rests heavily on Rebecca’s acting chops and mad presence, at least up until the point where she shares a couple of scenes with Philip Roth and you feel your blood curdling in your veins as you witness their back and forth and find out what traumatized her this much that she is losing control at the mere sight of this small and insignificant man.

    Since these were two tough viewing experiences, demanding a lot from their audiences – even if the acting was so unhinged it was close to perfection – I was vibrating with curiosity to look into the natal charts of both Rebecca and Caleb and see if there were certain energies they disposed of which made them gravitate to these stories. You may be aware that we tend to play out the inherent astrological energies we contain inside, through the work that we do. Actors and performers in general do this in a very visible and public way, which provides countless study cases for interested astrologers to explore, seeing as the world of film – or the land of Neptune – is a giant projection screen for what lies within.

    Let’s first look at Rebecca’s chart. Born on May 3rd 1982 (age 43 years) in London, UK, Rebecca is a Sun in Taurus and a Moon in Aries. You can see her birth-chart below:

    Birth-chart of Rebecca Hall taken from https://www.astro-seek.com/birth-chart/rebecca-hall-horoscope

    Her Moon is conjunct Venus in her fall in Aries, her Taurean Sun is conjunct the Wounded Healer asteroid, Chiron, while her destiny points are a South Node in Capricorn (her comfort zone) and a North Node in Cancer (her growth area). With a witty and domicile placement of Mercury in Gemini and an almost perfect conjunction between her natal Neptune and Lilith (the Wild Feminine asteroid) in freedom-loving Sagittarius, this is a woman who can think for herself and someone who gains her sense of freedom in life through martyrdom, escapism and acting. Although her fierce core brings a lot of determination and grit to the table, while her Saturnian comfort zone makes her a natural stoic and professional, what really gets her to gravitate towards harrowing tales and emotionally-intense roles is her natal Jupiter in Scorpio and that North Node in Cancer, placements which tell me she just finds so much joy and pleasure from bringing to life twisted stories and exploring deep emotions.

    Catharsis, rebirths and life-and-death experiences are her happy place. In addition to this, with a stellium of planets in the beautiful, relationship-prone and justice-driven sign of Libra, involving Saturn, Mars and Pluto she is a force to reckon with, both on screen and outside of it. As a sidenote, her husband is a fellow actor: Morgan Spector, a Sun in Libra man whose solar energy touches upon Rebecca’s stellium in Libra, letting me know that their relationship is anything but easy but it can also be quite hot and stubborn in its longevity and perseverance.

    Now, let’s explore Caleb’s chart. Born on December 7th 1989 (age 35 years) in Garland (TX) in the US, Caleb is a Sagittarius Sun with a Moon in Aries, as you can see below:

    Birth-chart of Caleb Landry Jones taken from https://www.astro-seek.com/birth-chart/caleb-landry-jones-horoscope

    Caleb was born with a Jupiter conjunct Chiron in Cancer (a marker for painful success or fame that wounds the soul), a South Node in Leo and a North Node in Aquarius, and what is perhaps the darkest and most fascinating part of his chart comprising of a close conjunction between Mars and Pluto in Scorpio (further enhanced by a nearby Lilith) and a stellium in grounded and restrained Capricorn. Having just one of the Saturnian or Plutonic energies can severely weigh down and intensify your chart, but Caleb has them both! His Capricorn stellium includes the planets Venus, Saturn, Neptune, Uranus and Mercury. With Saturn almost perfectly conjunct his Neptune in the sign of Capricorn, he is an almost walking-and-talking embodiment of the collective energies we are at the mercy of in 2025, a year which is marred by the conjunction between these two giants of our solar system and the ensuing chaos that they are creating in our lives.

    Although Caleb’s Saturn is domicile – which means that it functions better than the current Saturn in Pisces transit – and some would argue that his Venus is not conjunct his Saturn because it is so far apart by degree, but being in the same sign makes the planet function in a similar way. We see here the roots of intense emotional deprivation and a need to mask it with toughness, rules, rigidity and calculation – similar traits he displays so well in his character, Syd March from Antiviral. His energy is further darkened by the stealth ruthlesness and volcanic desires cloaked within the Mars-Pluto conjunction in Scorpio. No wonder that more recently, he starred in Dracula: A love tale (a dissapointing and unwatchable adaptation, in my view).

    One thing that stands out is that both Caleb and Rebecca share in common a Moon in Aries placement. Aries, being the first sign of the zodiac is usually associated with new life, vitality, lifeblood and the forceful rebirth of Nature after the dead of winter. When Aries energy exists in the Moon position of a native, this primal fire energy works at a deeply unconscious level, and it is somehow softened but also even more subtly powerful as it pervades a person’s complete aura and sense of being, especially when they rest and relax. Here is how astrologer Donna Cunningham describes this lunar position in her book “Moon Signs: The Key to Your Inner Life”:

    Aries is the best Moon sign, at least according to those who have it. They have to be the best at nearly everything they do – otherwise it ruins their whole day. They’re not always aware of this instinctive competitiveness, for the Moon’s traits are often unconscious. Nonetheless, Aries represents the urge to be out in front of the pack, so many Aries Moon natives display outstanding leadership and pioneering abilities. Active and vital, they’re easily bored by routine and want to be busy all the time.

    — p. 142

    It’s fascinating that these are not the only two creepy roles that Caleb and Rebecca decided to take on, since I still have on my watchlist The Listeners and Nitram; the first movie is about a woman hearing strange noises no one else can hear and the latter about a man who committed a massacre in the 90s, a script based on a true story. I also need to say that I loved Rebecca in the Night House, but I am saving my thoughts on that movie for an upcoming post on Pluto and 4th house matters.

    The crux of this article is basically just me saying that as a depressed Sun in Pisces woman who struggled to get out of bed and continue to live this year, getting in touch with the work of two Moon in Aries performers who literally electrified the screen with their presence and passion for their craft, woke me up back up to life.

    So, if you are doubting your energy and your work, please don’t. The way you are and the effort and passion you put into your craft and into your work can be so important to someone out there, in ways you may not even be aware. Inspiring a resurrection, passion can literally bring people back up to life, as it tends to be highly infectious… and against this type of infection, I don’t think we need any antivirals.

    With universal love,

    Lexi

  • A Year in Movies

    Mariora Sterian in a movie still of Who is calling me (1979)

    I saw this Saturday a unique screening of ‘Lonesome’ (1928) at the Romanian Picturehouse and since Neptune turned direct two days ago, I wanted to write about how its highest manifestatons in reality (artistic creations, such as movies) have influenced me this year. I also am writing this, out of a selfish need, to keep track and to maintain a somewhat personal inventory of my recent past. Two of the simple pleasures I allowed myself this year have been going to the cinema to watch movies and drinking tap beer/coffee in nice pubs and gardens in Bucharest. These were two cheap ways to get out of the house and enjoy being ‘social’, while also keeping to myself, because as much as I wanted to be surrounded by people I also needed a lot of personal space to just ‘be’, and to process some difficult feelings: the sadness of witnessing my father’s health decaying, the personal dissapointment of being rejected in all of my romantic connections, the heart-break of not being able to do what I love as the very low demand for my business’ services prompted me to take on a string of unsuccessful corporate jobs, the anxiety of the economy flailing and the fear of dying alone. To escape from all of these real failures and pressures, I took my tired soul to the cinema to occassionaly revitalize it. Life felt more manageable if I temporarily surrendered it to glamourous people, projected on a large, intimidating screen.

    As a consequence of this, I saw many movies, as many as I could afford. I went to the cinema whenever I got a chance to see something new, interesting or worthy of being seen on the big screen. There were some notable flops (I saw Past Lives, The Crow and Kinds of Kindness and they pissed me off and I just left the cinema, which is something I don’t usually do with levity). Surprisingly, I also saw two musicals and loved them: the gorgeous Swing Time (1936) and the colourful The Young Girls of Rochefort (1967) (and I am not a musical person). So in the following, I want to write about those movie experiences which I remember, those I enjoyed or that at least rattled me in some way and have given me some food for thought.

    Barbara Kent & Glenn Tryon in a beach movie still from Lonesome (1928)

    The first movie I saw, was in the first week of January of this year. I was intuitively lead towards the cinema, after I had a couple of days of existential dread and couldn’t stop crying. Because I work from home, I needed to get out of my house and do something social, so I went to a lovely cafe, called La Luz, which happens to be conveniently placed near the Romanian Picturehouse. After a large and comforting coffee, I dragged my melancholy to the cinema and cured it by witnessing Cary Grant (a Capricorn Sun), my favourite vintage Hollywood star, drive planes into snowy mountains in Only Angels Have Wings (1939) At the opposite end of the cinematic spectrum I experienced, there is the memory of a calm and warm November evening, when I saw at the Elvira Popescu Cinema the silent film The Polish Dancer / Bestia (1917) with Polish actress Pola Negri (another Capricorn Sun), an event which included a live music band and was delightful! In between these two events, came a flurry of other movies.

    One weird experience which stuck with me for a while was watching Burt Lancaster in The Swimmer (1968), an outwardly sunny and yet psychologically bleak movie about loss. Solaris (1972) and The Cabinet of Dr. Caligari (1920) come to mind as well, two movies which look incredible in the cinema and kind of strange on my laptop’s screen. The poetry, spiritual struggle and sadness of Solaris just hits differently when you see it on the wide screen, it seems to gather appropriate cosmic proportions. Then came Anouk Aimee’s ridiculous beauty in Lola (1961) bringing some liveliness to an otherwise superficial and forgetable movie experience. Then there was a surprisingly heartfelt and endearing movie called Slow (2023) with a unique topic: a dancer and a sign language interpreter meet and fall in love, only to discover that one of them is asexual and they have to find creative ways of being intimate together, ways that go beyond the sexual. It was fascinating and well-played and it made me feel cozy inside.

    There was also Beetlejuice Beetlejuice (2024), which was strangely released in September instead of November in the cinemas in Bucharest, making me feel like Halloween came early this year (and despite criticism, I actually had a lot of fun watching it). On a gloomy and rainy April day, I saw Manhattan Murder Mystery (1993) a goofy film by disgraced director Woody Allen. And during the summer, I absolutely loved Queendom (2023), a stylish and heartfelt documentary about the young life of LGBTQ artist and activist Jenna Marvin, who risked persecution from the Russian regime for her bold expression of her personality (I fell in love with Jenna’s courage and will write a separate article on her upcoming Saturn return in Aries in 2025, which promises to be majestic on a creative level).

    Another movie that stayed with me and left me speechless with its silent, organised and blatant horror has been The Zone of Interest (2023), a movie that is so important in the current political climate in which we continue to witness the rise of far-right groups across the world. Uniquely, I saw two documentaries about the lives of notable women who created art under oppresive regimes (and to which I will dedicate a separate article): one about the poet Nina Cassian called The Distance between Me and Myself (2018) and the other about the Czech photographer Libuse Jarcovjakova called I’m Not Everything I Want to Be (2024). In the same vein, 2024 has been a great year for my cinematic education about old Romanian films. I had the good luck of seing a number of movies from female directors created during the communist regime. I really liked A light on the 10th floor/O lumina la etajul 10 (1984) a movie by Malvina Ursianu, about a woman who comes out from prison and is given an apartment in a newly-built block of flats in Bucharest; although free, she can’t rest because she feels constantly surveilled and it is only through her relationships with the common people around her that she regains her emotional stability.

    Donatas Banionis in a movie still of Solaris (1972)

    I really enjoyed seeing how Bucharest looked like in those archival images and how the blocks we take for granted today (and belittle so much), looked like back then, when they were considered luxury accommodation. It was a humbling moment of appreciation for me, as I bought my flat back in 2023 in a building created back in 1966 and I felt awkwardly conscious about it. By the same director, I also saw Gioconda fara suras / The Monalisa without a smile (1969) and I liked the cinematography of it and the freedom and social status of the main character, a female engineer with a complicated love life. I literally didn’t see any movie like it, and many movies back in that era created in a similar Nouvelle Vauge style, were geared towards the many adventures of male characters. It felt empowering to see this meditative and stylish film, especially since none of these movies directed by communist female directors were ever showcased on our Tvs (instead we got the usual diet of Miscellaneous Brigade/BD films, Liceeni/ The Graduates (1986) and Sergiu Nicolaescu films, repeated ad nauseam).

    I also really liked a movie directed by Letitia Popa called Who is calling me / Cine ma striga (1979), about a topic you don’t get to see in a lot of other movies, a young woman accussed of prostitution who gets sent to a reform camp on the outskirts of a communist city. She’s operating heavy machinery on the construction site while trying to fit in with all the other workers, getting her ambitious room-mate to like her and keeping the romantic attentions of men at bay, and all throughout it she looks like an angel. It again teleported me into a world that my parents grew up in, a world I fortunately don’t get to experience myself. I also saw a movie called Diminetile unui baiat cuminte / The mornings of a good boy (1967) but although I thought the father-son conflict was compelling, it seemed to work like a forced and communist version of Rebel without a cause (1955), and I didn’t like it very much.

    Portrait of Dorina Lazar in character for her role in Angela keeps moving forward / Angela merge mai departe (1982)

    The highlight for me has been a movie called Angela keeps moving forward / Angela merge mai departe (1982), which I actually went twice to see, just so I could gain courage. I thought that if Dorina Lazar’s taxi-driving, rum drinking, tough woman character can find love in the sparse and grim communist landscape, then so will I one day; as long as (and just like the title says) I keep moving forward and let go of looking back in anger. July has been a really eventful month for me as I was not only very busy with work but I also saw the most movies since I needed a cool place to escape the city’s scorching heat. I saw beautiful classics like Spellbound (1945), Roman Holiday (1953) and Sunset Boulevard (1950) and the weird and funny Wild at Heart (1990). I saw the obscure These Three (1936) which I kind of enjoyed (it was also my very first Merle Oberon movie!), and the brilliant M – Eine Stadt sucht einen Mörder (1931). I was completely floored by Bette Davis’ performances All about Eve (1950) and Jezebel (1938) and sadly underwhelmed by the self-destructive, precious beauty of Margareta Paslaru in Un film cu o fata fermecatoare / A movie with a charming girl (1966).

    Furthermore, movies marked most of the holidays for me this year: I spent Valentine’s Day eating cherry chocolates and watching Antoine and Antoinette (1947) create a confusing, romantic storm in their lives and then I spent Halloween in a packed cinema watching a special screening of Late Night with the Devil (2023). All in all, I think I spent 2024 not really being here, but someplace else.

    After writing all of this, I kind of have the feeling that I got some sort of disparate cinematic education this year, something which in my heart, I had always wanted to achieve. I feel like the transit of Saturn in Pisces increased my cinema-going discipline and heightened my obsession with old movies, vintage films and bygone eras, who for aproximately 2 hours at a time, gave me a brief reprieve from a world which stubbornly kept reminding me, how little I am welcomed and how little I fit in. Perhaps, that’s were the Neptune magic lies: I’ll help you forget who you are by pushing you to escape into the stories of other people, so you may finally find yourself as you will inevitably separate from them once the movies end. Just like astrologer Liz Green writes in her seminal book, Neptune and the Quest for Redemption (2000) :

    This protean power to identify with the psyche of the other, and to effortlesly become that which the other secretly longs for, is one of the greatest artistic and therapeutic gifts of the Neptunian temperament. But if an essential core of integrity and self-honesty is lacking (…) then the gift becomes a great danger (p.118)

    After all 2024, was a year of moving images for me, the original meaning of the word ‘film’; moving images which told human stories, and from these stories my inner child was learning what to keep and what to let go of, especially as some of these moving images impacted my memory and helped it dive deep in order to bring out some old fragments from the past which I needed to re-analyse. By transit, Neptune (almost perfectly conjunct my Sun) made me into a memory diver and by keeping me in a dark fog throughout this year, by obscuring my Ego and my sense of personal value and power, Neptune had therefore allowed me the freedom to just exit, beyond the limitations of who I thought I was. It was strangely difficult to be held in such uncertainty, and still am as the fog hasn’t completely lifeted now that Neptune turned direct. But slowly, as Saturn will shift from Pisces and into Aries in 2025, the time will come to start embodying this new version of the Self created out of the debris of Neptune’s cleansing escapism. And that will mark the time of a real psychological re-birth in my life, one which I am looking forward to. But for the time being ‘ssshhhh, the movie is starting’…

    With universal love,

    Lexi

  • The Weirdness Within

    Credit: 20th Century Fox Television. Image from: https://fanfare.pub/the-x-files-is-the-best-tv-series-ever-made-e0900e393817

    In a year in which whatever I am building and struggling to maintain seems to be actively dissolving before my own eyes, I find it strangely comforting to spend time each night rewatching the X-Files series. As a child of the 90s, I grew up with episodes of the X-files casually playing on the TV in the background of the many activities that took place in my parent’s over-crowded living room, but I rarely got the chance to sit down and watch the entire series. The collective doom-and-gloom of 2024 made me find comfort in watching two incredibly attractive people debate on the nature of belief and the truth that is out there.

    As I lie in my bed after conflict-heavy days filled with disappointments and rejection, I give my favourite TV characters, FBI agent Dana Scully (played by Gillian Anderson) and agent Fox Mulder (played by David Duchovny) my full and undivided attention and escape into a surreal landscape populated by monsters, aliens and men in black suits. I have now reached episode 16 of season 5 and I am having such a good time, as season 5 is slowly becoming my favourite so far. And because of my astrological training, I can’t help but wonder: What exactly made these two people gravitate towards these specific roles and towards each other? What in their astrology, made them the optimal candidates for the X-files? In this article, I will use my astrological knowledge to unpack these questions and come up with some tentative answers.

    I think this is timely, since the X-files – an American entertainment series created by Libra Sun, Chris Carter – is a show about the occult, the paranormal but most importantly it is about what we believe in and how far are we willing to go to uphold our belief (or lack thereof). On the topic of belief, this an opportune time to unpack it as our collective energies are centred around the loss and limits of faith brought about by the current transit of Saturn & Neptune through the spiritual sign of Pisces.

    I’ll begin by analysing Gillian’s chart since it’s only polite that ladies go first 🙂 And speaking of politeness, we are dealing here with a really fascinating astrological chart, one in which the South Node is in Libra and the North Node is in Aries (conjunct Saturn). Gillian was born to be a star, since her Sun sits in the first house and is perfectly placed in Leo, amplified by a conjunction to dynamic Mars and also conjunct the Ascendant and Mercury. This is a lot of fire in someone personal placements! What fans the oxygen for that fire to burn brightly is her airy Moon is in Aquarius placed in the 7th house and perfectly conjunct the Part of Fortune; so, relationships brought Gillian a lot of good fortune and wealth and she seems to be emotionally attached to her contractual obligations. In addition, the Moon sitting in opposition from the Sun is also letting me know Gillian was born on a Full Moon, which makes her a person who has to have other people around her, someone who thrives by relating to others. Not only that but the politeness-factor is added in her energy by the fact that she was born with a South Node in Libra in the 3rd house (so her comfort zone is that of cool and intelligent communication) and a North Node in Aries conjunct Saturn in the lucky 9th house (making her growth zone, one of faith and philosophical expansion through conflict). Talk about being destined to embody a role in which she is persistently and diligently using science to counteract blind beliefs in the supernatural.

    Image of Gillian Anderson and of her natal chart taken from https://www.astrotheme.com/astrology/Gillian_Anderson

    Gillian is most famous for her work in the X-files but she also made a relative comeback later on in her career by embodying the magnetic detective superintendent Stella Gibson and playing alongside Jamie Bell in the British television series, The Fall. Recently she also starred in Sex education and The Crown, in an attempt to rebrand herself as an actress with a slight British accent and pedigree. However, two of her most know roles are portrayals of tough and intelligent femininity, and I attribute this energy not only to her North Node in Aries but the additional Mars energy in her chart conjunct her leadership-prone Leo Sun. An individual with the planet Mars conjunct their Sun can be someone who is naturally charismatic, feisty and prone to aggression to get their way, but when this energy is creatively sublimated, it can appear in battle-weary roles such as being the ‘soldier of light’ who catches bad guys as a daily living, which is exactly what both Dana and Stella are doing. Using her wit, calm explanations and a formal educational training (exactly the 3rd house energy which represents Gillian’s comfort zone), both detectives are able to hunt down evil and stare it in the eyes; in the first role this being alien-evil and in the second man-made evil.

    Nonetheless, I can see from her chart that Gillian has struggled her entire life with understanding who she is and with developing an identity that is not co-dependently linked to other people whom she shares her life with – this is potentially why she is trying to forego her American roots and rebrand herself as a British Tv actress. I think Gillian is attempting this geographical rebrand also because of her age, as she has celebrated her 56th year of life this year. Appearing in European productions seems to be working for her, as European tastes tend to be more accepting of aging femininity than the American media is.

    I believe all of these changes (her move to a different continent, her switch in roles and confident and more relaxed demeanour as she is aging, her switching from television to theatre) are due to the ripening of her Saturn in Aries placement which is nearing her return placement in the upcoming cycle between 2025 and 2027. Saturn in a fire sign (especially in a retrograde placement) offers a concentrated karma around the aspect of personal identity. This means that most of life’s challenges come a lack of confidence and from other people judging your personality and the actions you are undertaking to build your lived experience of life. Gillian’s chart thus tells the story of woman who had to do some deep inner work to detach herself from how other people perceived her. She had to put in hard work into crafting a healthy sense of confidence and an enduring self-image by taking creative risks and launching herself into a variety of life’s experiences (most of which were highly visible public performances).

    As a sidenote, another interesting case-study born with this placement is Hailey Baldwin, who lived in the shadow of the famous Baldwin family and then the shadow of her husband, Justin Bieber, before she became known for her brand and clean girl aesthetic (which took years to build). Similarly, Gillian had to learn who she is and what her identity and personal brand are, after years of playing either demure ladies (see her character in The House of Mirth) or tough detectives. Not to mention that the signature fiery red hair of her character, Dana Scully, is a combined expression of her North Node in Aries destiny and her Sun conjunct Mars and the Ascendant in passionate Leo. But with Saturn in Aries thrown in the mix, this passionate fire is restrained and slowly released in time, and after many challenges. What’s beautiful to see is how this inner fire is gently supported by her intellectual, weird and spontaneously wonderful Moon placement in Aquarius or the OG alien of the zodiac.

    Now before I dive into what having a Moon in Aquarius could mean for an individual, I need to present the astrological facts for David Duchovny’s chart, as he shares some astounding similarities with Gillian, and most of what I will describe for Gillian applies to David as well. David was born a Sun in Leo, with a Moon in Aquarius and a South Node in Pisces/North Node in Virgo conjunct Pluto. Unfortunately, his Ascendant is unknown as his birth time is missing. Already, I guess you could tell how astrologically twin-like David and Gillian are: both are Leo Suns with Aquarian Moons, both are born under a Full Moon, so it is no wonder that they met and worked as counterparts, both being the masculine and feminine voice of a similar soulful experience. Unlike Gillian, David’s destined path in this lifetime is one in which he has to become pragmatically comfortable with increasing darkness (North Node conjunct Pluto), and more precisely his very own darkness, in order to take control of his energy and purify himself at a soul level (North Node in Virgo) from the messy, emotional and religious-bound experiences he brought with him from past lives (South Node in Pisces). The extent to which he was personally able to fulfill this destiny remains debatable since his quarrels with the producers of the X-Files over money and his appetite for risque sexual encounters are infamous and may have garnered him a role in the controversial series ‘Californication’, in which he plays a celebrity and sex addict (a role which has mirrored his own personal struggles).

    Image of David Duchovny and of his natal chart taken from https://www.astrotheme.com/astrology/David_Duchovny

    Different to Gillian, David has a domicile Saturn in the strong sign of Capricorn and a domicile Jupiter in the blessed sign of Sagittarius and both are retrograde placements which makes them more powerful. But the organic balance given by these fortunate astrological placements is upset by the stellium that David has in his chart, a cluster of planets surrounding the signs of Leo and Virgo. A stellium can intensify a person’s energy and their life experiences, bringing an all-or-nothing type of vibe about any small activity they undertake. With David we see a Sun in Leo conjunct beautiful Venus and unpredictable Uranus, usually markers which make someone an ‘on-again/off-again’ type of lover who you simply cannot get enough of because he is so warm and fun (Venus in Leo), but can also be lazy and self-obsessed (Pluto in Virgo conjunct the North Node). Moreover, the South Node in Pisces guarantees that unless David has a creative or spiritual outlet for his emotional energy, he may lose himself in meaningless sexual and addictive practices or religious confusion. It is endearing to see how he has sublimated this energy in Fox Mulder’s character, a man obsessed with his belief who will go to great lengths to prove an emotional truth which he constantly struggles to support due to a lack of evidence.

    Related to this karmic placement, I can also see that his ex-wife, actress Tea Leoni was indeed a soulmate for him, as her Sun in Pisces conjuncts his South Node in Pisces, letting me know that they are familiar with each other from another life and married in this lifetime in order to finish some unprocessed karma. And it’s fascinating as well how I, as a Pisces Sun am carefully re-watching the series during a Saturn conjunct Neptune in Pisces transit which touches upon David’s South Node/North Node energy. Not only that but starting from 2025, both Gillian and David will be having some significant transits as Gillian will be experiencing her Saturn return in Aries and from David will undergo his reverse nodal return, as from January 2025 the North Node of the Moon will enter Pisces and the South Node will enter Virgo. Therefore, I may update this article according to the news that may appear about them in the next few years.

    I always tend to write in tangents and sub-notes, and that’s because I was born with a Uranus in Sagittarius in the 3rd house and my mind can put forth some interesting and yet fragmented thoughts. To make things clearer, I want to come back in this paragraph to the Moon in Aquarius placement and to link this back to the title of this article, the weirdness within. As we all collectively sit on the cusp of the age of Aquarius, ushered in as it is by the transit of Pluto, it is essential that we study everything Aquarius-related so we can better know how to navigate a form of energy that is by nature, unpredictable, chaotic and spontaneous. And these are exactly the words that may be used to describe both Gillian and David in their private lives. It’s hard for us, the fans and spectators, to discern how these people are in their intimate lives but that’s why I love astrology so much – in the blink of an eye, simply by looking at data, you can create a profile of an individual’s inner landscape (much like criminal profilers and psychologists do in their daily work).

    A Moon in Aquarius is a paradoxical placement since it is shows affection and attachment by being actually really detached; people born with this placement are light-hearted and funny, cool as cucumbers and erratic in how they show their emotions. One day they love you ardently, the next day they have to leave you to track mountains because maintaining intimacy at a deeper level actually frightens them. They tend to fall in love with friends and co-workers, and those type of social relationships which usually come with some in-built boundaries. Lunar Aquarians are drawn to the unusual, to the spooky and mad aspects of life. There is nothing sexier to an Aquarius Moon than knowing all the emotional and intimate rules that govern relationships and then having fun mischievously breaking them. At times, Aquarian Moons can be superficial and cold as ice, to the same degree as a Capricorn Moon, but this is what makes them honest people with a great knack for intelligent debates. In some exceptional cases and if poorly aspected, an Aquarius Moon can also indicate the gradual disintegration of a person into madness or lead one to emotional extremes. Here is how one of my favourite astrologers (and expert in all things lunatic) Donna Cunningham describes this hard-to-define lunar placement in her book ‘Moon Signs’:

    “Ordinary folks with this Moon are likely to be anything but ordinary, with unusual ideas and predilections that set them apart from people around them. Diehard modernists, they are likely to be the first to adopt a new idea, trend, fad or gadget. Naturally the minute the fad becomes popular they’re likely to reject it and move on to the next avant-garde trend. Many are rebels who like to shake you up with outrageous behaviour (…) The airiest of air signs, Aquarian Moons are put off by emotions, preferring to detach from them – if you insist on doing what they consider overreacting. They try, even harder than Gemini Moons, to be rational and talk or reason feelings away. So, cut off they may seem emotional at times, and they can wind up doing very odd, impulsive things suddenly when repressed emotions build up to the bursting point. They may break up a relationship, quit a job or hop a plane, all seemingly out of the clear blue sky (…) Many born under this Moon feel the only security is total freedom and independence. Relying on others makes them vulnerable to being left again, so they may not be prepared to settle down.”

    My argument is that this electrifying and weird Aquarian energy is precisely why Gillian and David are so good at playing the roles of detectives Scully and Mulder. Their inborn Aquarian zest for life and weirdness helped them engage with such roles to an extent that felt authentic and believable. Moreover, this energy is also what makes them investigate the paranormal and the extra-terrestrial; they can empathise with being outsiders, with feeling as if they don’t belong into the socially acceptable moulds of society. If you too share this lunar placement with them and find it hard to emotional regulate or to find emotional stability and meaning in a life that seems to have trouble finding fitting you in, you may want to re-orient your energy towards investigating the paranormal, or creating sci-fi, and using your natural cool and spontaneous energy to research the mysterious unknown and open people’s minds in this process. You were born to break emotional patterns, much like Gillian and David in their roles as Scully and Mulder are in love with each other without necessarily portraying a traditionally, romantic type of relationship.

    And speaking of romance, I want to tackle the most fun part of their astrological energy, that being their synastry aspects (or aspects of compatibility). I can only imagine what went down between the two of them on the set of the X-files, seeing as they are mirror images of each other from an astrological point of view. Interestingly enough, Gillian’s Mars in Leo touches upon David’s Venus in Leo, which is an aspect that brings instant sexual attraction but it is the woman’s masculine energy which chases the man’s feminine energy. This aspect usually exists in a synastry chart in which the woman more or less romantically and sexually pursues the man. However, Gillian’s Venus in Virgo sits in a square to David’s Mars in Gemini revealing some tensions and frustrations between the two of them that were often hard to overcome (even if both Virgo and Gemini are ruled by Mercury and carry the same intelligence and nervousness stamps to their vibration).

    Furthermore, Gillian’s cluster of planets of in Virgo (her Venus, Jupiter, Pluto and Uranus) activate David’s destined path in this lifetime, in a somewhat uncomfortable and irritating process. I have no doubt that if something physical happened between them behind the scenes, that Gillian was the one which initiated it and that David gradually become more annoyed and irascible in this situation, as he may have felt himself controlled or emasculated (also because her Mars is conjunct his Sun). I also think that David may have bothered Gillian’s inner peace with his emotional messiness as his South Node in Pisces (his comfort zone) sat in opposition to the orderly ways in which Gillian extracted fun and pleasure from her work and the wealth she was creating. He may have thought that she was too much and too aggressive with him while she couldn’t deal with his messy and obsessive sense of wounded self-involvement. If like me, you paid close attention to how the relationship between Mulder and Scully evolves in the series, you may have seen some of this energy ‘leaking out’ in their acting in rather fraught interactions (especially at the height of the show’s popularity in seasons 4 and 5).

    Finally, I wanted to add a distinct way in which we may look at their relationship, as spiritual counterparts and creative co-workers. In the spiritual community the term ‘twin flames’ exists to describe an intense relationship between two individuals who are the mirror images of each other but they are locked in differently gendered bodies; as these individuals come together the fire between the two of them burns so brightly that it cannot sustain a normal, romantic connection for too long. So, what usually happens is that twin flames meet and work on a big project together which changes the collective for the better, and then they go their own separate ways. Oftentimes they continue to maintain a deep connection even if they are not physically close to each other (almost like a red thread of energy linking them). From an occult and spiritual perspective and backed up by the astrological knowledge of their charts, I can say that Gillian and David are a very good representation of a twin-flame connection, as they both were magnetically drawn the content of the X-files series (activating their weird and wonderful Aquarian Moons) and they came together to influence the ‘Millennial’ collective. And finally, it’s important to underline that at the heart of the series, as well as within the astral energies of the two protagonists lies the constant dialogue between faith (Leo energy) and science (Aquarius energy), exploring the unknown with intuition and instinct and figuring it out with facts and experimentation, who we are as humans here on Earth (Leo) and whether we are part of a larger cosmic order (Aquarius). Therefore, it will be fascinating to see how the transit of Pluto in Aquarius for the next two decades will affect us, the two actors’ lives and the creative legacy of Mulder and Scully and the mysterious X-Files.

    To wrap up this discussion, I will leave you with a funny insight into my little life. I recently deleted my online dating profile in which I had advertised myself with one simple sentence: “Just a Scully looking for her Mulder”. Because in the end, aren’t we all just looking for a special weirdo who can help us compliment the weirdness within?

    With universal love,

    Lexi