The Spiritual Social

Tag: birthchart

  • Kindred Spirits

    I think I have found my spiritual father. His name is Fritz Riemann and I’ve been reading his work in the past week, at my analyst’s recommendation. I began first with his book which in English has been rather poorly translated as “Anxiety: Using Depth Psychology to Find a Balance in Your Life” (in its original: “Grundformen der Angst“), and then I realised that he was also the author of another book I had on my list, the beautifully titled “Astrology and Psychotherapy” (or “Lebenshilfe Astrologie“) a book which I see as the manual to my future profession.

    German cover to Fritz Riemann’s book “Astrology and Psychotherapy”, which you can access here: https://www.klett-cotta.de/produkt/fritz-riemann-lebenshilfe-astrologie-9783608946574-t-4101

    I’m just two weeks away from turning 39 years old, an age which is usually marked by something called the mid-life crisis. This is described as a pivotal period in a person’s life (usually spanning from the 37th year of life until the 41st) in which the foundations in a person’s life are revised and new decisions for the future have to be made. It’s like a pitstop in the middle of a person’s life in which past actions are coming up for scrutiny in order to find the answer to the burning question “How do I move forward in life?”.

    It’s called a “crisis” because something breaks down (usually a career path or a significant relationship, a way of life) and this catapults the individual into a pressure chamber of a mindspace, in which solutions need to be found with urgency.

    Carl Jung wrote about this period in a positive light. He saw this breakdown as a special indication that a person was getting closer to living out the truth of their identity or in his terms, the crisis was an opportunity to finally ‘individuate’. What made the crisis so intense was the extent to which someone had lied to themselves so far in their lives, and build a life on shaky and borrowed values, rather than on their personal intuition or on what mattered most to their individuality. In his words:

    The nearer we approach to the middle of life, and the better we have succeeded in entrenching ourselves in our personal attitudes and social positions, the more it appears as if we had discovered the right course and the right ideals and principles of behaviour. For this reason, we suppose them to be eternally valid, and make a virtue of unchangeably clinging to them. We overlook the essential fact that the social goal is attained only at the cost of a diminution of personality. Many—far too many aspects of life which should also have been experienced lie in the lumber-room among dusty memories; but sometimes, too, they are glowing coals under grey ashes. – C. Jung, The Collected Works, p. 395

    Astrologers also wrote about this period as being one marked by the multiple aspects that transiting Saturn would be making to the natal Saturn and Uranus placements in an individual’s chart, precipitating painful and unexpected changes that have long-lasting consequences. The most notable of which is Erin Sullivan in her book “The Astrology of Midlife and Aging”. Sullivan describes the mid-life crisis as:

    “Between the ages of thirty-seven and forty-one, in synchrony with the transit of the planet Uranus’ opposition to its place in the horoscope, something mysterious takes place within the psyche. Further, Dante says: “I cannot clearly say how I had entered the wood; I was so full of sleep just at the point where I abandoned the true path” (II 10-13) The ‘sleep’ with which we are full at the meeting at the crossroads is really the unconscious life that we have within and that is still unlived. Jung said that in this phase of life one is living the “unlived life”, assuming correctly that midlife does not begin a time of rapid decay, loss of libido, and inevitable death but rather in a time in which one might recollect one’s life and, from that recollection, build upon a profound understanding and conscious action toward the next phase of adulthood.” Sullivan, The Astrology of Midlife and Aging, p. 4

    Similarly to what Jung and Sullivan have described in their books, I also find myself needing to change my profession at this turning point in my life, as I am no longer able to make a living out of just being an astrologer and tarot reader. I am lucky that I am able to have the interior and exterior resources to be able to undergo this transition with a relative amount of meaning. After I was hit with the transit of Saturn conjunct my natal Mercury and Sun in the last 3 years, I witnessed the gradual loss of a lot of the things and people which used to anchor me in place. I’ve also felt blocked in my development, both creatively and emotionally and frustrated with life.

    This produced a crisis of meaning inside of myself and aware that Saturn rules over time and old age, I sought the wisdom of those older than me. In a random way – and possibly influenced by this year’s transit of nostalgic Jupiter in Cancer – I was reminded of an old dream of mine, that of completing my psychotherapeutic training. So after my father’s death I signed up for a professional training to become a Jungian analyst. And I’m happy to say that as lost as I was a couple of years ago, I am now meaningfully placed exactly where I need to be, since my current training offers me a sense of purpose and meaning, which I was robbed off in the past.

    However, there are still plenty of difficulties to overcome, most of which have to do with the reshaping of my very soul. I am overwhelmed at the moment by moods, fears and bouts of low energy, which I am processing each week with the help of my supervising analyst, by doing dream analysis and art therapy. This is where depth psychology and the work of many Jungian analysts come in handy, as I don’t believe I would’ve been able to start the process of “mining” through my memories and rearranging my inside, without their help.

    So here I am, in my second semester of professional training reading the works of Fritz Riemann and Marion Woodman, my substitute spiritual mother and father. While the German author is helping me stitch together my previous experience as an astrologer and put it in relation to my current experience of being a trainee psychotherapist, Marion Woodman is my wise maternal guide, helping me understand the deeper layers of my psyche and especially my relation to my own Shadow, and what lies beneath it: the Animus and the Death Mother Archetype, two figures who have been haunting me for a while.

    After, watching the documentary “The Way of the Dream” and having read her interview with Daniella Sieff titled “Confronting the Death Mother: An Interview with Marion Woodman“, I was curious to find out more about Marion, much like I wanted to discover more about Fritz and his attraction to astrology. I kind of feel like they are kindred spirits to me, or at least ancient members of my soul family. So naturally I pulled up their birth-charts.

    Birth-chart of German author and psychotherapist, Fritz Riemann. Created with https://www.astro.com/index_e.htm

    Fritz was born a Sun in Virgo (loosely conjunct Venus), with a Moon in Aquarius (loosely conjunct Jupiter). He has a natal Saturn in Capricorn conjunct Chiron (the Wounded Healer Archetype) and a Uranus in Sagittarius conjunct Lilith (the Wild Feminine Archetype). Remarkably he is a member of the Pluto in Gemini generation and he has a natal Neptune in fellow water sign, Cancer. His Mars is in proud Leo and his Mercury is conjunct his North Node, both in the sign of Libra.

    His comfort zone, is marked by Aries, as his South Node is in Aries. Unfortunately, I have no idea in which astrological houses these planets are falling because I am lacking information on his birth time, and hence there is no Ascendant. But he seemed like a charismatic and optimistic fellow (which is rare for Virgo men to be honest). So I am wondering if perhaps his Ascendant was in Leo, which would’ve placed his Mars conjunct it too?

    In terms of comparing our charts and finding out why I feel he is one of my kindred spirits, I can see that he has his nodal placement opposite to mine as I was born with a SN in Libra/NN in Aries, and that his Moon and Jupiter fall around my Venus in Aquarius (so I fall in love with the ideas that he cared about, and with Aquarius energy these ideas are indeed audacious and astrological).

    Moreover, his Uranus in Sagittarius is conjunct my natal Saturn in the same sign (which makes him the perfect, wacky mentor for me) and his Pluto in Gemini sits in a tight conjunction to my natal Chiron in Gemini in the 8th house, while his Mars in Leo sits on top of my Midheaven. I interpret these two final aspects as being motivating and healing to me, even from beyond his grave. No wonder, I see his work as that of my spiritual father figure.

    Birth-chart of Canadian author and analyst, Marion Woodman. Created with https://www.astro.com/index_e.htm

    Moving on to Marion, she was born with a Sun in Leo conjunct the Moon and Mercury (so she is a New Moon baby, an aspect that denotes a pioneering spirit and a true individualist). She has her natal Venus conjunct Neptune in Virgo, an aspect which made her perfect for analytical work but it may have gradually eaten down her relationships due to a perfectionist streak. Furthermore, her natal Mars is conjunct the North Node in Gemini and her South Node is in Sagittarius (and sadly) conjunct her Saturn, which denotes a rough upbringing no matter how positive the Jupiterian influence may be.

    In addition, I see a bold Uranus in Aries, Pluto in maternal Cancer and Jupiter in enterprising Taurus conjunct Chiron (the Wounded Healer Archetype). You can easily see that she has not had an easy life and that growth for her came during painful moments when she was wounded but she had to heal others (Jupiter conjunct Chiron). At the same time, she was able to increase her awareness of the pains of the human condition and bring truth in areas of life previously thought of as taboo, such as in her description of the Inner Tyrant. Her book “The Ravaged Bridegroom: Masculinity in Women” is a pearl in terms of helping me understand the painful underbelly of romantic attractions and why they usually fail and end up in heart-break.

    Being born with Saturn conjunct your comfort zone means that any comfort in early life is usually robbed off you as a form of karmic debt, and Marion has been vocal in her book “Leaving my father’s house: A Journey to conscious femininity” about the strained relationship she has had with her father who blocked her chances of being herself (Saturn in Sagittarius). But she was an exceptionally intelligent and wise woman, almost to the point of having an intelligence which stood against her in many ways, and may have self-sabotaged her chances of being happy in life.

    In terms of placing her chart in conversation with my own natal chart, the fist thing I noticed is how we share the same Saturn placement and how her South Node is almost perfectly conjunct my Moon in Sagittarius, denoting a deep and unconsciously fertile link between the wisdom she provides and my compulsive search for wisdom. In addition, her Uranus in Aries is conjunct my natal North Node and Jupiter in Aries, making her a truly wise, maternal guide for me to learn a lot from, especially in relation to my own masculinity and wounded Animus (Aries).

    Moreover, her Pluto in Cancer falls in my 9th house, where I have Lilith in Cancer (the Wild Feminine Archetype), an aspect which I fondly refer to as the Erin Brockovich effect in terms of using feminine power to combat the abuses of the patriarchy. Marion’s writings liberate me and give me the feeling that I can live life completely free of taboos and complexes as a powerful woman, surviving a changing world (much like Marion had lived her life).

    It’s strange how I just begun with an intuition that I should read the works of both Fritz and Marion, and then as I dived into their work and found how strongly it resonated with me, I fell under the suspicion that it may be more to our shared energies than meets the eye. Astrology then showed me in concrete ways, of what I initially just spun out of the thin air of a gut feeling, that I was correct. So I rest my case once more.

    Astrology is truly magical, and following your intuition and insights is almost like putting the whole energy of your natal chart in motion towards fated events. This is why it is so important to allow the inner compass to guide you in life, rather than fall for external opinions or follow the indications of others. Trust your gut, trust you path and walk in the direction of your soul tribe. Pursue interests and learn from those who came before you. I would even go so far as to say that this may be the pragmatic application of Jung’s core theme of individuation.

    May your journey be filled with suprising joy and boundless wisdom!

    With light,

    Lexi

  • The Vital Spark: The Passion of Moon in Aries

    Movie still of Rebecca Hall as Margaret from Resurrection (2022)

    I think by now it’s obvious from the content of my articles, that I have a soft spot for intense individuals who border on the insane. I’m fascinated to see how people cope with duress, with the challenges life throws at them, and most often the pressures that they place upon themselves. I think this is why I have always been attracted to psychotherapy and I’m actively involved not only in my own healing but in that of those who I am fortunate enough to cross paths with.

    In 2025, I randomly saw a large number of movies which involved dark, intense and rather disturbing topics. I think I was drawn to them because it was a way to safely and creatively experience my own private wrestling match with some dark and heavy emotions. It’s as if what I was feeling inside was spilling over into a warped, emotional reality, enhanced in its dream-like quality by my viewing of so many movies. I blame the transits of Saturn and Neptune for putting me in this state, and while I understand that there is an underlying logic to this sullen cosmic energy, I still cannot bring myself to enjoy the process. Around May of this year, when dad died, I started sleeping during the day and getting up around evening time to then sit all night and watch movies, read, cry and pray.

    I lost so much this year. Despite my resistance, 2025 vacuumed me of pleasure, joy, hope and faith. I felt in equal parts, shame, guilt, intense anxiety and despair. Some days I struggled to get up and when I did, I was struck by how pointless doing anything was. I often didn’t know what to do but to put on a movie with my projector, curl up in a foetus position, sip cold, black coffee and see the stories of people whose fates are worse than mine.

    During a couple of such sedated days, I got a chance to watch two rather niche but equally powerful movies. I saw Resurrection (2022) with Rebecca Hall directed by Andrew Semans, and Antiviral (2012) with Caleb Landry Jones directed by Brandon Cronenberg. I personally felt like I couldn’t shake these movies off of me, long after I finished watching them. The first movie made me weep so hard as the credits rolled in, and the second was more of a mindfuck that made me press replay, just so I could understand what I had just watched. One thing I knew for sure was that the impact of the stories I just saw was exactly what I needed: a cure for getting out of my life and my wounded Self; a fascination for trying to understand two fictional characters with fucked up fates. I felt suddenly inspired…

    Both movies display difficult subjects. In Resurrection, an abusive ex returns to torment a woman who just managed to build a better life for herself, but for most of the movie you find yourself doubting her sanity rather than believing that the villain’s comeback is doing any actual harm. In ‘Antiviral’, an employee working for a high-tech company is obsessed with a celebrity to such an extent that he injects her diseases into his body just to feel close to her.

    The movie posters for the two films I discuss in the article

    Antiviral is the debut feature of Brandon Cronenberg, the son of famously weird Canadian director, David Cronenberg (who created Existenz, The Fly, Dead Ringers, Crash etc.) Compared to his father’s work, I find Brandon’s movies to be unique and mesmerising, but even more ruthless and clinical than David’s movies are. if you are to consider Infinity Pool and what a distorted ride that movie was. I guess it’s just the astrological difference of their solar imaginarium, seeing as David is a Sun in Pisces and Brandon is a Sun in Capricorn.

    Coming back to Antiviral, I have to say that I really liked the idea which was a direct critique of our obsession with celebrities, amplified as the story was by the excellent acting. Even if the movie was engrossing, certain gory scenes could’ve been better polished if not altogether scrapped out; also, the movie did lack a certain empathy and emotionality. On the other hand, Resurrection was so tightly controlled and filmed that it made you feel slightly claustrophobic, thereby matching the viewer’s complicity with Margaret’s own palpitating and overwhelming emotions. I think I’m saying that this latter performance made me feel more, while the first experience was intellectually interesting but too clinically delivered.

    Superficially speaking, I think that what mesmerised me so much about both of these performances is the fact that we are looking at two flawed but also gorgeous people who were filmed with such a dedication that it felt their connection with the audience almost became tangible (for example, at a certain point I am pretty sure I was more familiar with Rebecca’s snot and sweat and Caleb’s bloody gushings more than with my own bodily fluids).

    Movie still of Caleb Landry Jones as Syd March from Antiviral (2012)

    Antiviral doesn’t pack an emotional punch like Resurrection does, a movie at the end of which I felt shattered seeing how simultaneously soulfully free and yet physically condemned Rebecca Hall’s character, Margaret, was. In Resurrection the psychological unravelling she experiences as a result of years of cruelty and gaslighting was masterfully done. The entire movie rests heavily on Rebecca’s acting chops and mad presence, at least up until the point where she shares a couple of scenes with Philip Roth and you feel your blood curdling in your veins as you witness their back and forth and find out what traumatized her this much that she is losing control at the mere sight of this small and insignificant man.

    Since these were two tough viewing experiences, demanding a lot from their audiences – even if the acting was so unhinged it was close to perfection – I was vibrating with curiosity to look into the natal charts of both Rebecca and Caleb and see if there were certain energies they disposed of which made them gravitate to these stories. You may be aware that we tend to play out the inherent astrological energies we contain inside, through the work that we do. Actors and performers in general do this in a very visible and public way, which provides countless study cases for interested astrologers to explore, seeing as the world of film – or the land of Neptune – is a giant projection screen for what lies within.

    Let’s first look at Rebecca’s chart. Born on May 3rd 1982 (age 43 years) in London, UK, Rebecca is a Sun in Taurus and a Moon in Aries. You can see her birth-chart below:

    Birth-chart of Rebecca Hall taken from https://www.astro-seek.com/birth-chart/rebecca-hall-horoscope

    Her Moon is conjunct Venus in her fall in Aries, her Taurean Sun is conjunct the Wounded Healer asteroid, Chiron, while her destiny points are a South Node in Capricorn (her comfort zone) and a North Node in Cancer (her growth area). With a witty and domicile placement of Mercury in Gemini and an almost perfect conjunction between her natal Neptune and Lilith (the Wild Feminine asteroid) in freedom-loving Sagittarius, this is a woman who can think for herself and someone who gains her sense of freedom in life through martyrdom, escapism and acting. Although her fierce core brings a lot of determination and grit to the table, while her Saturnian comfort zone makes her a natural stoic and professional, what really gets her to gravitate towards harrowing tales and emotionally-intense roles is her natal Jupiter in Scorpio and that North Node in Cancer, placements which tell me she just finds so much joy and pleasure from bringing to life twisted stories and exploring deep emotions.

    Catharsis, rebirths and life-and-death experiences are her happy place. In addition to this, with a stellium of planets in the beautiful, relationship-prone and justice-driven sign of Libra, involving Saturn, Mars and Pluto she is a force to reckon with, both on screen and outside of it. As a sidenote, her husband is a fellow actor: Morgan Spector, a Sun in Libra man whose solar energy touches upon Rebecca’s stellium in Libra, letting me know that their relationship is anything but easy but it can also be quite hot and stubborn in its longevity and perseverance.

    Now, let’s explore Caleb’s chart. Born on December 7th 1989 (age 35 years) in Garland (TX) in the US, Caleb is a Sagittarius Sun with a Moon in Aries, as you can see below:

    Birth-chart of Caleb Landry Jones taken from https://www.astro-seek.com/birth-chart/caleb-landry-jones-horoscope

    Caleb was born with a Jupiter conjunct Chiron in Cancer (a marker for painful success or fame that wounds the soul), a South Node in Leo and a North Node in Aquarius, and what is perhaps the darkest and most fascinating part of his chart comprising of a close conjunction between Mars and Pluto in Scorpio (further enhanced by a nearby Lilith) and a stellium in grounded and restrained Capricorn. Having just one of the Saturnian or Plutonic energies can severely weigh down and intensify your chart, but Caleb has them both! His Capricorn stellium includes the planets Venus, Saturn, Neptune, Uranus and Mercury. With Saturn almost perfectly conjunct his Neptune in the sign of Capricorn, he is an almost walking-and-talking embodiment of the collective energies we are at the mercy of in 2025, a year which is marred by the conjunction between these two giants of our solar system and the ensuing chaos that they are creating in our lives.

    Although Caleb’s Saturn is domicile – which means that it functions better than the current Saturn in Pisces transit – and some would argue that his Venus is not conjunct his Saturn because it is so far apart by degree, but being in the same sign makes the planet function in a similar way. We see here the roots of intense emotional deprivation and a need to mask it with toughness, rules, rigidity and calculation – similar traits he displays so well in his character, Syd March from Antiviral. His energy is further darkened by the stealth ruthlesness and volcanic desires cloaked within the Mars-Pluto conjunction in Scorpio. No wonder that more recently, he starred in Dracula: A love tale (a dissapointing and unwatchable adaptation, in my view).

    One thing that stands out is that both Caleb and Rebecca share in common a Moon in Aries placement. Aries, being the first sign of the zodiac is usually associated with new life, vitality, lifeblood and the forceful rebirth of Nature after the dead of winter. When Aries energy exists in the Moon position of a native, this primal fire energy works at a deeply unconscious level, and it is somehow softened but also even more subtly powerful as it pervades a person’s complete aura and sense of being, especially when they rest and relax. Here is how astrologer Donna Cunningham describes this lunar position in her book “Moon Signs: The Key to Your Inner Life”:

    Aries is the best Moon sign, at least according to those who have it. They have to be the best at nearly everything they do – otherwise it ruins their whole day. They’re not always aware of this instinctive competitiveness, for the Moon’s traits are often unconscious. Nonetheless, Aries represents the urge to be out in front of the pack, so many Aries Moon natives display outstanding leadership and pioneering abilities. Active and vital, they’re easily bored by routine and want to be busy all the time.

    — p. 142

    It’s fascinating that these are not the only two creepy roles that Caleb and Rebecca decided to take on, since I still have on my watchlist The Listeners and Nitram; the first movie is about a woman hearing strange noises no one else can hear and the latter about a man who committed a massacre in the 90s, a script based on a true story. I also need to say that I loved Rebecca in the Night House, but I am saving my thoughts on that movie for an upcoming post on Pluto and 4th house matters.

    The crux of this article is basically just me saying that as a depressed Sun in Pisces woman who struggled to get out of bed and continue to live this year, getting in touch with the work of two Moon in Aries performers who literally electrified the screen with their presence and passion for their craft, woke me up back up to life.

    So, if you are doubting your energy and your work, please don’t. The way you are and the effort and passion you put into your craft and into your work can be so important to someone out there, in ways you may not even be aware. Inspiring a resurrection, passion can literally bring people back up to life, as it tends to be highly infectious… and against this type of infection, I don’t think we need any antivirals.

    With universal love,

    Lexi